Quote

Fear has disappeared. No more fear. In Asia, it is different. They've discovered again the fear and the psychology of the characters. Without psychology, the horror film doesn't exist.

Dario Argento

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Dario Argento
Age: 84
Born: 1940
Born: September 7
Composer
Director
Film Director
Film Producer
Screenwriter
The Eternal City
Sirio Bernadotte
Fear
Doesn
Disappeared
Film
Asia
Character
Psychology
Without
Discovered
Different
Horror
Characters
Exist

More quotes by Dario Argento

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I've been lucky enough to have had the luxury of being able to make the picture I've wanted to make each time on my own terms and without compromise.
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In Italy the censor is very old and there are many judges and psychiatrists who analyse you.
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My daughter, Asia, has been in many of my movies. I love working with her. In the beginning, I was not supportive of her being an actress, but now I think she is fantastic.
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Maybe when I stop making movies, I'll understand my work better.
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When I was five. That's when I started to love film.
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Each film I make changes me in some way. When I start the picture I'm one person and by the time I finish I'm another.
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I want to do what I want when I want to do it not be dictated to by audiences.
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'Macbeth' is one of the best operas ever, and doing it was a great experience. I added some things to the opera based from my experience on the movie - such as some of the special effects and bits of film - to make it new and interesting. It was a very good work and a very good experience.
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You must push everything to the absolute limit or else life will be boring.
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It irritated me that my fans kept wanting me to retread old ground.
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Paradise is too perfect for humanity.
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Films are dreams. Many, many critics say to me that my films are not good because they are too unbelievable, but this is my style. I tell stories like they are dreams. This is my imagination. For me, it would be impossible to do a film that is so precise, that resembles real life.
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I'm Dario Argento, and my style is something recognizable I think by the audience.
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Theres nothing gratuitous about my films.
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In each of my characters there is a little of me. Not strictly autobiographical but a little piece of my soul.
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If you don't like my movies, don't watch them.
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I went through a phase where I thought nostalgia was a bad thing.
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The Opera was a very cold film, a hopeless and dark film, no hope, no love.
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Horror is like a serpent always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.
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Then I realized my early work did have something special that audiences adored apart from what I humbly thought about them. They occupy a distinguished niche in Italian film history and probably always will.
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