Motherhood. It was hard to get lost in anything else completely when children were 3 years old.

My fear was like a stray dog, roving the neighborhood of my life, looking for a new source of worry.

I'm not trying to be coy, but I think everyone notices these things like skin color but some people are more aware that they are noticing them than others, maybe. If that makes sense.

I'm felt I was writing about love and desire and community and belonging and grief and a whole host of other issues. But race is never far from the surface.

I think cults never stop being interesting and I'm intrigued by how we all do a tiny bit of submitting to a larger group - and how they can sneak up on you.

I was influenced growing up by everything from Harlequin romances to Fedor Dostoyevsky and Albert Camus, James Baldwin, Toni Morrison, and later Lydia Davis, Mary Gaitskill, bell hooks.

I wrote the first draft of the New People quickly but it had been percolating a lot longer. It's a hard question to answer because I'd been working on another novel for years and when I gave up on that, this one came very easily. But I think the work had been going on a lot longer than the actual writing.

I didn't read about it for school. It was just for myself. I was interested in cults in general but Jonestown was the most interesting of all the cults I studied.

In terms of music, each novel is different but I usually find my way into an era through the music. In this novel the New People, I listened to a lot of 90s hip-hop, which was just so genius. Also, all the musical references in the book from the Peoples Temple one and only album to Luther Vandross.