Growing up, I spent a lot of time on film sets all over the world.

I loved painting and drawing for many reasons. One of them was that all it really required was me, a pencil and a pad. It was something I was passionate about, and still am.

At times, there are misunderstandings [during shooting]. Especially with green screen and not really knowing what it is that you're looking at, you really depend on the director to create that world for you.

I consider myself a storyteller, not really even an actor. I consider myself a storyteller.

I guess I've played a lot of failures, which is a Huston quality, I guess. I love losers, though, and have never met anyone who hasn't been one sometime. I'm always looking to understand them, and my father had an extremely keen eye to be able to dissect and bring that forward in the way he told his stories.

As an actor, it's hard to direct because, suddenly, you're not around. The thing which I hate about directing is the waiting game, but you've really got to wait it out and be resilient and keep it going and keep everybody motivated.

I resisted the film business as long as I could, because of the big circus act and the amount of money that it costs to make films - I saw my father suffer through that.

I had no ambition to become an actor at all.

I started as a director and just fell upon acting.

Sometimes film is just the family business. Some families are generations of carpenters or farmers, or they make clothes, or they're all lawyers. I'm in the family business.