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It's a misconception to believe that the resistance ended with the civil rights movement.
Danny Glover
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Danny Glover
Age: 78
Born: 1946
Born: July 22
Actor
Character Actor
Executive Producer
Film Actor
Film Director
Film Producer
Peace Activist
Singer
Television Actor
Television Producer
San Francisco County
California
Danny Lebern Glover
Daniel Lebern Glover
Misconception
Ended
Civil
Resistance
Movement
Rights
Believe
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But rarely have I made choices that made me feel I was really compromising what I believe.
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My theatrical background was in the great work of the South African playwright Athol Fugard.
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I have the capacity to express what I feel needs to be expressed. And I try to do what I believe in.
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The progressive movement against the war of occupation in Iraq is a reason for hope, as is resistance to free trade agreements in Latin America. Those are moments that we have to celebrate: that people still find the resolve and energy to resist
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I was involved with the anti-apartheid movement through my work as an artist and also through my political commitment.
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Hollywood is designed to check the box office on Monday morning and see: How'd we do? How much? It's another facet of this whole culture of accumulation and consumption. Black people are caught up in it, white people are caught up in it, white actors, black actors, female actresses - everybody's caught up in it.
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When someone you know passes on, the only thing you can do is keep moving forward.
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I've been a Goodwill Ambassador for the UNICEF and the UNICEF family for more than twelve years
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Mother Earth is in pain and ailing - bglobal warming. The world is dealing with issues of immigration, deindustrialization, and poverty. When I was born, there were 2.5 billion people living on the whole planet. Now there are 2.5 billion people living on less than $2 a day. That's the kind of reality we have to deal with.
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What happened to Haiti is a threat that could happen anywhere in the Caribbean to these island nations, you know, because of global warming, because of climate change and all this.
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It's also important for those who promote those issues within the white community - the somewhat privileged community - to talk about issues affecting people of color.
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If we talk about the environment, for example, we have to talk about environmental racism - about the fact that kids in South Central Los Angeles have a third of the lung capacity of kids in Santa Monica.
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I was able to do To Sleep with Anger, a very powerful film about African Americans, their spirituality, and the things that happened within a small community and a family.
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I'm not so vain as to believe that my involvement changes anything whatsoever.
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Some of the most amazing stories are happening on the global scene. My extraordinary producing partner, Joslyn Barnes, she's just virtually changed my life with the way she constructed this company and how we go about telling the stories we want to tell.
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Art is about the dynamics of the human experience.
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I was able to do The Saint of Fort Washington, on the relationship between two homeless men.
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We live in a climate of fear, and because of this whole ideology of consumption almost to the point of religion.
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We're trying to tell stories. We're a company that's concerned with global change and the effect of global cinema. We're not simply tied to the very limiting framework of U.S. film-making.
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One of the main purveyors of violence in this world has been this country America.
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