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If we talk about the environment, for example, we have to talk about environmental racism - about the fact that kids in South Central Los Angeles have a third of the lung capacity of kids in Santa Monica.
Danny Glover
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Danny Glover
Age: 78
Born: 1946
Born: July 22
Actor
Character Actor
Executive Producer
Film Actor
Film Director
Film Producer
Peace Activist
Singer
Television Actor
Television Producer
San Francisco County
California
Danny Lebern Glover
Daniel Lebern Glover
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Environment
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Lung
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Thirds
Monica
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Freedom Summer, the massive voter education project in Mississippi, was 1964. I graduated from high school in 1965. So becoming active was almost a rite of passage.
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President [Barack] Obama is a man who had certain advantages because of the civil rights movement.
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Hollywood is designed to check the box office on Monday morning and see: How'd we do? How much? It's another facet of this whole culture of accumulation and consumption. Black people are caught up in it, white people are caught up in it, white actors, black actors, female actresses - everybody's caught up in it.
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I've always been able to make choices that don't embarrass me.
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What's more important is that we talk about movements change happens through movements. The movement to end slavery, the movement to bring justice for those who have been left out of the system, movements to include women, movements around sexual preference - all these movements brought about change.
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We live in a climate of fear, and because of this whole ideology of consumption almost to the point of religion.
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I have the capacity to express what I feel needs to be expressed. And I try to do what I believe in.
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Mother Earth is in pain and ailing - bglobal warming. The world is dealing with issues of immigration, deindustrialization, and poverty. When I was born, there were 2.5 billion people living on the whole planet. Now there are 2.5 billion people living on less than $2 a day. That's the kind of reality we have to deal with.
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Democracy is about criticism.
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Art is about the dynamics of the human experience.
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It's a misconception to believe that the resistance ended with the civil rights movement.
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My theatrical background was in the great work of the South African playwright Athol Fugard.
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I'm not so vain as to believe that my involvement changes anything whatsoever.
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We're trying to tell stories. We're a company that's concerned with global change and the effect of global cinema. We're not simply tied to the very limiting framework of U.S. film-making.
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Just look at the cinema itself: It's comprised of lots of movies about graphic novels, and if you're not 20 years old and wearing a cape and a mask and white, you're out of business. Today's cinema is a proliferation of comedies, which are in some ways creating caricature images. They're one-dimensional.
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I was able to do The Saint of Fort Washington, on the relationship between two homeless men.
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In 1967, the students at San Francisco State invited the poet Amiri Baraka to the campus for a semester. He attracted other influential black writers such as Sonia Sanchez, Ed Bullins, Eldridge Cleaver. What emerged was something we called the community communications program. That's how I got involved I got involved in a little play
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Since 1957, black people have experienced double-digit unemployment - in good times and bad times. Look at the population of African Americans in prison. They represent more than half the population of prisoners in the country, 55 percent of those on death row
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