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I was able to do The Saint of Fort Washington, on the relationship between two homeless men.

Danny Glover

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Danny Glover
Age: 78
Born: 1946
Born: July 22
Actor
Character Actor
Executive Producer
Film Actor
Film Director
Film Producer
Peace Activist
Singer
Television Actor
Television Producer
San Francisco County
California
Danny Lebern Glover
Daniel Lebern Glover
Washington
Saint
Relationship
Two
Able
Men
Fort
Forts
Homeless

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Democracy is about criticism.
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Some of the most amazing stories are happening on the global scene. My extraordinary producing partner, Joslyn Barnes, she's just virtually changed my life with the way she constructed this company and how we go about telling the stories we want to tell.
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The civil rights movement didn't deal with the issue of political disenfranchisement in the Northern cities. It didn't deal with the issues that were happening in places like Detroit, where there was a deep process of deindustrialization going on.
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When someone you know passes on, the only thing you can do is keep moving forward.
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We live in a climate of fear, and because of this whole ideology of consumption almost to the point of religion.
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In 1967, the students at San Francisco State invited the poet Amiri Baraka to the campus for a semester. He attracted other influential black writers such as Sonia Sanchez, Ed Bullins, Eldridge Cleaver. What emerged was something we called the community communications program. That's how I got involved I got involved in a little play
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What happened to Haiti is a threat that could happen anywhere in the Caribbean to these island nations, you know, because of global warming, because of climate change and all this.
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The progressive movement against the war of occupation in Iraq is a reason for hope, as is resistance to free trade agreements in Latin America. Those are moments that we have to celebrate: that people still find the resolve and energy to resist
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We have to be that wedge that drives the question and asks the hard questions
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I've always been able to make choices that don't embarrass me.
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But rarely have I made choices that made me feel I was really compromising what I believe.
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When you've moved past a point where you're just scrambling for jobs, you think about the things that you want to do. And the things that you want to do are governed by what you've seen, what you choose to embrace
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It's also important for those who promote those issues within the white community - the somewhat privileged community - to talk about issues affecting people of color.
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My theatrical background was in the great work of the South African playwright Athol Fugard.
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I've been a Goodwill Ambassador for the UNICEF and the UNICEF family for more than twelve years
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Just look at the cinema itself: It's comprised of lots of movies about graphic novels, and if you're not 20 years old and wearing a cape and a mask and white, you're out of business. Today's cinema is a proliferation of comedies, which are in some ways creating caricature images. They're one-dimensional.
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Since 1957, black people have experienced double-digit unemployment - in good times and bad times. Look at the population of African Americans in prison. They represent more than half the population of prisoners in the country, 55 percent of those on death row
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We're trying to tell stories. We're a company that's concerned with global change and the effect of global cinema. We're not simply tied to the very limiting framework of U.S. film-making.
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Im a child of the Civil Rights Movement.
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President Obama is a man who had certain advantages because of the civil rights movement. He had the opportunity to go to some of the best schools in this country - schools that train you how to run the political paradigm, not challenge it. The leaders of the Black Power Movement were challenging that paradigm.
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