I don't really need to be inspired by literature though. At the end of the day it's colour and imagery moved around until it works.

I used to use a lot of words in the paintings but stopped because it created a narrative - or an answer to a question.

A lot of my words come to me when I'm out and about as well, riding the bus or sat in the pub. I went through a stage of going to a strip bar called the White Horse at lunch times and did a lot of writing in there. They were fine with that but I don't know how they would feel about me setting up the easel.

The spirit of a painting is very hard to explain and articulate. I can't say it's not intentional because that is the mark I'm trying to hit, however I don't feel I have much control over it.

I don't think of myself as a rebellious artist, a lot of people have said that about me because I came from Cornwall and choose to paint people in what they considered to be an urban style instead of Cornish landscapes. I've never agreed with them. It's bullshit.

To make music I rely on other people, which is good - that's the main difference in painting and music at this stage. They are separate parts of my life really, like having two jobs, one in a bar, one in a lighthouse.

I like to listen to a lot of classical music when I'm painting, the most simplistic stuff I can find. I like simple piano.

Women really like the horses, more so than men.

Some of my work is very instinctive, some of my favourite things I've ever done are just two minute sketches, nothing is better when you get it like that so quick, then other work takes months.

Painting is a solitary act for me I don't need anyone around to make paintings.