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I've got a serious-looking head.

Daniel Day-Lewis

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Daniel Day-Lewis
Age: 67
Born: 1957
Born: April 29
Actor
Artist
Film Actor
Stage Actor
Television Actor
London
England
Sir Daniel Michael Blake Day-Lewis
Serious
Head
Looking

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God knows, I haven't always been successful.
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I still relate to my father very much. I mean, I talk to him in a certain way, as we do talk to the dead.
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You don't merely give over your creativity to making a film - you give over your life! In theatre, by contrast, you live these two rather strange lives simultaneously you have no option but to confront the mould on last night's washing-up.
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I come from not just a household but a country where the finesse of language, well-balanced sentence, structure, syntax, these things are driven into us, and my parents, bless them, are great custodians of the English language.
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I was a savage for so many years of my life. There was some seed of determination in me that I was not conscious of. I was mostly consciously getting into trouble and drunk.
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I like things that make you grit your teeth. I like tucking my chin in and sort of leading into the storm. I like that feeling. I like it a lot.
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I'm a little bit perverse, and I just hate doing the thing that's the most obvious.
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I am more greatly moved by people who struggle to express themselves...I prefer the abstract concept of incoherence in the face of great feeling to beautiful, full sentences that convey little emotion.
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I didn't like the idea of being foolish, but I learned pretty soon that it was essential to fail and be foolish.
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Leaving a role is a terrible sadness. The last day of the shooting is surreal. Your soul, your body and your mind are not ready at all to see the end of this experience. In the following months after a film shoot, one feels a deep sense of void.
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I became conflicted in my late teens.
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You've just provided me with the makings of one hell of a weekend in Dublin.
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Perhaps I'm particularly serious, because I'm not unaware of the potential absurdity of what I'm doing.
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When I've gone back to work, it's always with that sense of inevitability. That may be a complete delusion, but it's the one that I need to get out of bed and go about my business. That sense that I can't avoid this thing. I better just get on with it.
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One of the great privileges of having grown up in a middle-class literary English household, but having gone to school in the front lines in Southeast London, was that I became half-street-urchin and half-good-boy at home. I knew that dichotomy was possible.
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I feel less often compelled to do the work than I was in the past.
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I have always been intrigued by these lives I have never experienced.
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Film has become such a central part of our culture now that I think sometimes too great a weight is placed upon it in terms of scrutiny and analysis. There's a lot of rather specious professorial stuff that swirls around films.
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Be grateful, be grateful, be grateful.
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I suppose that anyone who does any kind of creative work some time in their life - especially as you grow into middle age! - you come to a time where you really question more and more frequently, whether you have anything else to offer. And at its worst, you feel utterly bereft of whatever creative force it takes to do that work.
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