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I'm woefully one-track-minded.

Daniel Day-Lewis

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Daniel Day-Lewis
Age: 67
Born: 1957
Born: April 29
Actor
Artist
Film Actor
Stage Actor
Television Actor
London
England
Sir Daniel Michael Blake Day-Lewis
Woefully
Minded
Track

More quotes by Daniel Day-Lewis

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The one thing that I appear to have been given, bearing in mind that I am capable of being very, very scatty and extremely lazy, is the ability to concentrate on something I choose to give my time to.
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The greater your powers of self-delusion, the greater will be the apparent efficacy of this untruth.
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Film has become such a central part of our culture now that I think sometimes too great a weight is placed upon it in terms of scrutiny and analysis. There's a lot of rather specious professorial stuff that swirls around films.
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I'm not sure you learn anything on film sets.
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Be grateful, be grateful, be grateful.
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I can't honestly account for the very personal response that I have to one story and not another, a sense of an orbit, the orbit of a world that draws me as my own life recedes.
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My preference is that, that day when someone sticks a tripod in front of you with a camera on the top, it is not day one.
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It must be hard interviewing actors.
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I hate the domestic life.
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I like things that make you grit your teeth. I like tucking my chin in and sort of leading into the storm. I like that feeling. I like it a lot.
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I see a lot of movies. I love films as a spectator, and that's never obscured by the part of me that does the work myself. I just love going to the movies.
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The last time I was on a small set would've been probably My Left Foot.
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There are always practical decisions to be made about any character you're playing.
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The theater is a need for me. It's a terrible attraction, something I'm compelled to do. And one derives a form of nourishment from the theater which you can never get from films. Making films weakens you in some way. With the theater, the work itself is a regenerative process.
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Leaving a role is a terrible sadness. The last day of the shooting is surreal. Your soul, your body and your mind are not ready at all to see the end of this experience. In the following months after a film shoot, one feels a deep sense of void.
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You don't merely give over your creativity to making a film - you give over your life! In theatre, by contrast, you live these two rather strange lives simultaneously you have no option but to confront the mould on last night's washing-up.
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Very often there's this misapprehension about actors being people that need to display themselves, to reveal themselves in public.
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A voice is such a deep, personal reflection of character.
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There's nothing worse than finding yourself in a situation, a very demanding piece of work, and knowing that you're not a true ally to the person who's in charge of all that.
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Everybody has to know for themselves what they're capable of.
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