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I can't re-examine work I did in the past with pride.

Daniel Day-Lewis

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Daniel Day-Lewis
Age: 67
Born: 1957
Born: April 29
Actor
Artist
Film Actor
Stage Actor
Television Actor
London
England
Sir Daniel Michael Blake Day-Lewis
Pride
Past
Work
Examine

More quotes by Daniel Day-Lewis

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Making a film, setting it up and getting it cast and getting it together, is not an easy thing
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How people are around a director, it really does affect everything, every detail of the life of the movie.
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It's easy to love humanity when you're this far away from it.
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As a member of the audience I don't like it that I can't see what's going on in the eyes and in the face and in the most subtle responses of a performer when I'm more than a few rows back. I find it very frustrating.
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You've just provided me with the makings of one hell of a weekend in Dublin.
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God knows, I haven't always been successful.
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It must be hard interviewing actors.
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I am more greatly moved by people who struggle to express themselves...I prefer the abstract concept of incoherence in the face of great feeling to beautiful, full sentences that convey little emotion.
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I like to cook things very slowly.
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I live in a landscape, which every single day of my life is enriching.
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I'm woefully one-track-minded.
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As actors, we're all encouraged to feel that each job is the last job. They plant some little electrode in your head at an early stage and you think, 'Be grateful, be grateful, be grateful.'
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Leaving a role is a terrible sadness. The last day of the shooting is surreal. Your soul, your body and your mind are not ready at all to see the end of this experience. In the following months after a film shoot, one feels a deep sense of void.
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My life is devoted to self-delusion - and I have a great capacity for that - but it's the thing that gives me the most pleasure, so I can't complain about it.
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I suppose that anyone who does any kind of creative work some time in their life - especially as you grow into middle age! - you come to a time where you really question more and more frequently, whether you have anything else to offer. And at its worst, you feel utterly bereft of whatever creative force it takes to do that work.
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I'm a little bit perverse, and I just hate doing the thing that's the most obvious.
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There are always practical decisions to be made about any character you're playing.
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Films exhaust me, they do, and I often want nothing more to do with them, but I'm continually surprised at the resurgence of the impulse to come back and do it all over again.
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The last time I was on a small set would've been probably My Left Foot.
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Film has become such a central part of our culture now that I think sometimes too great a weight is placed upon it in terms of scrutiny and analysis. There's a lot of rather specious professorial stuff that swirls around films.
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