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You can never fully put your finger on the reason why you're suddenly, inexplicably compelled to explore one life as opposed to another.
Daniel Day-Lewis
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Daniel Day-Lewis
Age: 67
Born: 1957
Born: April 29
Actor
Artist
Film Actor
Stage Actor
Television Actor
London
England
Sir Daniel Michael Blake Day-Lewis
Fingers
Finger
Roles
Compelled
Another
Exploring
Reason
Explore
Never
Opposed
Life
Cinema
Suddenly
Fully
Inexplicably
More quotes by Daniel Day-Lewis
It's easy to love humanity when you're this far away from it.
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How people are around a director, it really does affect everything, every detail of the life of the movie.
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I live in a landscape, which every single day of my life is enriching.
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I didn't like the idea of being foolish, but I learned pretty soon that it was essential to fail and be foolish.
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I love to sit and watch people. I love to sit and listen to people.
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Leaving a role is a terrible sadness. The last day of the shooting is surreal. Your soul, your body and your mind are not ready at all to see the end of this experience. In the following months after a film shoot, one feels a deep sense of void.
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I spend many months in apparently listless rumination out of which I hope something will emerge.
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There are always practical decisions to be made about any character you're playing.
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I suppose that anyone who does any kind of creative work some time in their life - especially as you grow into middle age! - you come to a time where you really question more and more frequently, whether you have anything else to offer. And at its worst, you feel utterly bereft of whatever creative force it takes to do that work.
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It must be hard interviewing actors.
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I can't re-examine work I did in the past with pride.
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I have no role models. Many heroes. I have an enormous capacity for hero worship.
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When I've gone back to work, it's always with that sense of inevitability. That may be a complete delusion, but it's the one that I need to get out of bed and go about my business. That sense that I can't avoid this thing. I better just get on with it.
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I am more greatly moved by people who struggle to express themselves...I prefer the abstract concept of incoherence in the face of great feeling to beautiful, full sentences that convey little emotion.
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I don't deal at all well with the relative amount of stuff I have to face already.
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When I was younger, I made some decisions that I shouldn't have. And, in hindsight, I've almost always been wrong when I haven't listened to myself.
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I never retreat from films, as it were, I simply indulge in other interests, that's all.
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The theater is a need for me. It's a terrible attraction, something I'm compelled to do. And one derives a form of nourishment from the theater which you can never get from films. Making films weakens you in some way. With the theater, the work itself is a regenerative process.
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There must've been some part of me that wanted to make my mark. But there was never a defining moment.
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I'm not really a storyteller myself - I tend to get all tangled up when I try and tell stories.
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