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I'm usually the last to see my influence in other people's work. People give me stuff and say Oh look, this guy's ripping you off, and I'm like What do you mean? Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another ar

Daniel Clowes

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Daniel Clowes
Age: 63
Born: 1961
Born: April 14
Cartoonist
Comics Artist
Novelist
Screenwriter
Writer
Chicago
Illinois
Dan Clowes
Little
Influence
Filtered
Giving
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Ripping
Mean
Often
Instances
Work
Artist
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Another
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Inflections

More quotes by Daniel Clowes

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I really want people to read the book, and bookstores never sold an issue of Eightball because nobody knew what it was.
Daniel Clowes
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I'm not opposed to comics on the Internet. It's just not interesting to me.
Daniel Clowes
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I'm always hiding the books in my closet, and my art's always turned upside down in my drawer.
Daniel Clowes
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I love the medium and I love individual comics, but the business is nothing I would be proud of.
Daniel Clowes
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But I enjoy the opportunity to use swear symbols.
Daniel Clowes
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Surely comics require more effort on the part of the reader than movies or television. I'm always learning new things you can do with comics that wouldn't work in any other medium, and often they require the need to process a lot of dense information. Of course, the trick is to make the complicated seem effortless and spontaneous.
Daniel Clowes
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In a movie, you have to be mindful that no budget is going to be able to deal with running around the globe at every whim of the writer.
Daniel Clowes
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It keeps me moving when I see people doing stuff that I see as my direction. I think, Oh, it's been tainted. Now I've got to do something new. There's nothing worse than working on your own stuff and thinking that someone else is following you along.
Daniel Clowes
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It's a challenge to express real life in dramatic terms. In an entirely made-up story, you are sometimes overwhelmed by the infinite possibilities.
Daniel Clowes
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The greatest moment of my life was, somebody sent me a cable-access show from Chicago that had Joey Ramone on it showing the video we made together. And he was talking about, like, This guy Dan Clowes postponed his wedding for us. He's a great guy.
Daniel Clowes
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I actually start drawing things. Usually they're abandoned before I commit too much time and effort.
Daniel Clowes
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Even if I only had 10 readers, I'd rather do the book for them than for a million readers online.
Daniel Clowes
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I lose faith in everything else, but rarely in my work. If I start to get bored, I change it to make it more interesting. I try not to take it too seriously, but I also try to never cheat or hurry things along.
Daniel Clowes
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I believe in the transformative power of cinema. It is only through this shared dream-experience that we can transcend the oppressive minutiae of daily existence and find some spiritual connection in the deeper reality of our mutual desire.
Daniel Clowes
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I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.
Daniel Clowes
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I feel like I understood the language of comics. I had a real fluidity with that medium at a very early age.
Daniel Clowes
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You need to be, like, turning down high-paying illustration work because you want to work on your comic. That's when you know you're doing something good.
Daniel Clowes
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If I could have somehow been the kind of artist who could crank out two or three issues a year, that's different. That's sort of what it's all about, to get this thing out so that there's some kind of continuity. But to do a comic book every year or two was just so anti-climactic.
Daniel Clowes
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I try to only work on the screenplays for a few hours a day when I'm in my most voluble mood, just sort of writing whatever comes into my head. It's a very freeing thing.
Daniel Clowes
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It's much more liberating as a artist to feel like you can approach each page and each panel with the way that inspires you the most. I think the thing that bogs down a lot of artists is that you're kind of stuck drawing in a style you've developed.
Daniel Clowes