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I was thinking the other day that there will never be another form of music that everybody has to respond to - like disco.
Daniel Clowes
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Daniel Clowes
Age: 63
Born: 1961
Born: April 14
Cartoonist
Comics Artist
Novelist
Screenwriter
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Chicago
Illinois
Dan Clowes
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Everybody
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More quotes by Daniel Clowes
Avatar is a total nerd thing, and yet our popular culture has somehow made all that stuff acceptable.
Daniel Clowes
I feel like I understood the language of comics. I had a real fluidity with that medium at a very early age.
Daniel Clowes
I have this certain vision of the way I want my comics to look this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.
Daniel Clowes
Even if I only had 10 readers, I'd rather do the book for them than for a million readers online.
Daniel Clowes
If I could have somehow been the kind of artist who could crank out two or three issues a year, that's different. That's sort of what it's all about, to get this thing out so that there's some kind of continuity. But to do a comic book every year or two was just so anti-climactic.
Daniel Clowes
I lose faith in everything else, but rarely in my work. If I start to get bored, I change it to make it more interesting. I try not to take it too seriously, but I also try to never cheat or hurry things along.
Daniel Clowes
I love the medium and I love individual comics, but the business is nothing I would be proud of.
Daniel Clowes
I've felt that in the past, where I just felt like I had to keep drawing in the same way to maintain this sameness and rhythm throughout an entire book, and it was not really necessary.
Daniel Clowes
Surely comics require more effort on the part of the reader than movies or television. I'm always learning new things you can do with comics that wouldn't work in any other medium, and often they require the need to process a lot of dense information. Of course, the trick is to make the complicated seem effortless and spontaneous.
Daniel Clowes
I'm usually the last to see my influence in other people's work. People give me stuff and say Oh look, this guy's ripping you off, and I'm like What do you mean? Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another ar
Daniel Clowes
If you think about it enough to have a really articulate answer, you're not doing it right. That's how I feel about art. If your thought process could take you to knowing exactly what you're doing and why, there would be no point in making the art. It would become like propaganda. It's more nebulous than that.
Daniel Clowes
I think I have a very clear vision of what I want things to look like.
Daniel Clowes
That's been my main interest for the last 15 years, is to really make sure the story and the characters take precedence over everything else, and that I give them everything I can to make them exist as actual people.
Daniel Clowes
It's much more liberating as a artist to feel like you can approach each page and each panel with the way that inspires you the most. I think the thing that bogs down a lot of artists is that you're kind of stuck drawing in a style you've developed.
Daniel Clowes
I like to leave a little room to innovate and change things around while I'm working.
Daniel Clowes
I really want people to read the book, and bookstores never sold an issue of Eightball because nobody knew what it was.
Daniel Clowes
I try to only work on the screenplays for a few hours a day when I'm in my most voluble mood, just sort of writing whatever comes into my head. It's a very freeing thing.
Daniel Clowes
I'm always looking for things I imagine must exist, but don't - this is usually the impetus to create that thing myself.
Daniel Clowes
The trouble is the kind of guy I want to go out with doesn't even exist... Like a rugged, chain-smoking, intellectual, adventurer guy who's really serious, but also really funny and mean.
Daniel Clowes
I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.
Daniel Clowes
