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I actually start drawing things. Usually they're abandoned before I commit too much time and effort.
Daniel Clowes
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Daniel Clowes
Age: 63
Born: 1961
Born: April 14
Cartoonist
Comics Artist
Novelist
Screenwriter
Writer
Chicago
Illinois
Dan Clowes
Start
Actually
Much
Things
Abandoned
Time
Commit
Drawing
Usually
Effort
More quotes by Daniel Clowes
I really want people to read the book, and bookstores never sold an issue of Eightball because nobody knew what it was.
Daniel Clowes
I feel like I understood the language of comics. I had a real fluidity with that medium at a very early age.
Daniel Clowes
If you think about it enough to have a really articulate answer, you're not doing it right. That's how I feel about art. If your thought process could take you to knowing exactly what you're doing and why, there would be no point in making the art. It would become like propaganda. It's more nebulous than that.
Daniel Clowes
I believe in the transformative power of cinema. It is only through this shared dream-experience that we can transcend the oppressive minutiae of daily existence and find some spiritual connection in the deeper reality of our mutual desire.
Daniel Clowes
Before I could read, I remember trying to piece together the stories from the images. It was a very primal experience.
Daniel Clowes
I was thinking the other day that there will never be another form of music that everybody has to respond to - like disco.
Daniel Clowes
I feel like a lot of my aesthetic was in response to feeling the awfulness and cheapness of that [ the 70'th].
Daniel Clowes
The trouble is the kind of guy I want to go out with doesn't even exist... Like a rugged, chain-smoking, intellectual, adventurer guy who's really serious, but also really funny and mean.
Daniel Clowes
I lose faith in everything else, but rarely in my work. If I start to get bored, I change it to make it more interesting. I try not to take it too seriously, but I also try to never cheat or hurry things along.
Daniel Clowes
I must have been 3 years old or less, and I remember paging through these comics, trying to figure out the stories. I couldn't read the words, so I made up my own stories.
Daniel Clowes
It's much more liberating as a artist to feel like you can approach each page and each panel with the way that inspires you the most. I think the thing that bogs down a lot of artists is that you're kind of stuck drawing in a style you've developed.
Daniel Clowes
I have this certain vision of the way I want my comics to look this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.
Daniel Clowes
I'm always hiding the books in my closet, and my art's always turned upside down in my drawer.
Daniel Clowes
I think I have a very clear vision of what I want things to look like.
Daniel Clowes
I like to leave a little room to innovate and change things around while I'm working.
Daniel Clowes
I knew how to draw all of the different smokestacks on the old trains and all that stuff, and then I realized that if I can draw trains, which is the thing I was probably the least interested in in the world at the time, I can do anything and find a way into it that will be interesting.
Daniel Clowes
You need to be, like, turning down high-paying illustration work because you want to work on your comic. That's when you know you're doing something good.
Daniel Clowes
I've felt that in the past, where I just felt like I had to keep drawing in the same way to maintain this sameness and rhythm throughout an entire book, and it was not really necessary.
Daniel Clowes
There are certain things in there that no one else would recognize, really. I see details of my life that I didn't even intend to put in when I was doing the work. For example, I noticed that every single kid in the high school in The Death-Ray is based on somebody I went to high school with.
Daniel Clowes
I'm more interested in characters who are a little difficult.
Daniel Clowes