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I feel like a lot of my aesthetic was in response to feeling the awfulness and cheapness of that [ the 70'th].
Daniel Clowes
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Daniel Clowes
Age: 63
Born: 1961
Born: April 14
Cartoonist
Comics Artist
Novelist
Screenwriter
Writer
Chicago
Illinois
Dan Clowes
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More quotes by Daniel Clowes
In an art school it's very hard to tell who is the best.
Daniel Clowes
I knew how to draw all of the different smokestacks on the old trains and all that stuff, and then I realized that if I can draw trains, which is the thing I was probably the least interested in in the world at the time, I can do anything and find a way into it that will be interesting.
Daniel Clowes
The trouble is the kind of guy I want to go out with doesn't even exist... Like a rugged, chain-smoking, intellectual, adventurer guy who's really serious, but also really funny and mean.
Daniel Clowes
I enjoy the opportunity to use swear symbols. The reader reads into them something worse than what you normally would have. They work as this outburst of incoherent anger. I've found ways to write around swearing that are much more effective, rather than going for what someone really would say.
Daniel Clowes
Avatar is a total nerd thing, and yet our popular culture has somehow made all that stuff acceptable.
Daniel Clowes
It's embarrassing to be involved in the same business as the mainstream comic thing. It's still very embarrassing to tell other adults that I draw comic books - their instant, preconceived notions of what that means.
Daniel Clowes
I lose faith in everything else, but rarely in my work. If I start to get bored, I change it to make it more interesting. I try not to take it too seriously, but I also try to never cheat or hurry things along.
Daniel Clowes
I was thinking the other day that there will never be another form of music that everybody has to respond to - like disco.
Daniel Clowes
I'm not opposed to comics on the Internet. It's just not interesting to me.
Daniel Clowes
You need to be, like, turning down high-paying illustration work because you want to work on your comic. That's when you know you're doing something good.
Daniel Clowes
It's much more liberating as a artist to feel like you can approach each page and each panel with the way that inspires you the most. I think the thing that bogs down a lot of artists is that you're kind of stuck drawing in a style you've developed.
Daniel Clowes
I try to only work on the screenplays for a few hours a day when I'm in my most voluble mood, just sort of writing whatever comes into my head. It's a very freeing thing.
Daniel Clowes
It keeps me moving when I see people doing stuff that I see as my direction. I think, Oh, it's been tainted. Now I've got to do something new. There's nothing worse than working on your own stuff and thinking that someone else is following you along.
Daniel Clowes
I've felt that in the past, where I just felt like I had to keep drawing in the same way to maintain this sameness and rhythm throughout an entire book, and it was not really necessary.
Daniel Clowes
I feel like I understood the language of comics. I had a real fluidity with that medium at a very early age.
Daniel Clowes
I'm always looking for things I imagine must exist, but don't - this is usually the impetus to create that thing myself.
Daniel Clowes
I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.
Daniel Clowes
But I enjoy the opportunity to use swear symbols.
Daniel Clowes
Comics seldom move me the way I would be moved by a novel or movie. I say this as someone who would rather read comics than watch movies, listen to music, anything. But it's not an operatic medium. I hear other people talk about being moved to tears by comics. I can't imagine that.
Daniel Clowes
I really want people to read the book, and bookstores never sold an issue of Eightball because nobody knew what it was.
Daniel Clowes
