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In a movie, you have to be mindful that no budget is going to be able to deal with running around the globe at every whim of the writer.
Daniel Clowes
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Daniel Clowes
Age: 63
Born: 1961
Born: April 14
Cartoonist
Comics Artist
Novelist
Screenwriter
Writer
Chicago
Illinois
Dan Clowes
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More quotes by Daniel Clowes
I was thinking the other day that there will never be another form of music that everybody has to respond to - like disco.
Daniel Clowes
The greatest moment of my life was, somebody sent me a cable-access show from Chicago that had Joey Ramone on it showing the video we made together. And he was talking about, like, This guy Dan Clowes postponed his wedding for us. He's a great guy.
Daniel Clowes
I'm more interested in characters who are a little difficult.
Daniel Clowes
The trouble is the kind of guy I want to go out with doesn't even exist... Like a rugged, chain-smoking, intellectual, adventurer guy who's really serious, but also really funny and mean.
Daniel Clowes
I feel like a lot of my aesthetic was in response to feeling the awfulness and cheapness of that [ the 70'th].
Daniel Clowes
I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.
Daniel Clowes
I enjoy the opportunity to use swear symbols. The reader reads into them something worse than what you normally would have. They work as this outburst of incoherent anger. I've found ways to write around swearing that are much more effective, rather than going for what someone really would say.
Daniel Clowes
I'm usually the last to see my influence in other people's work. People give me stuff and say Oh look, this guy's ripping you off, and I'm like What do you mean? Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another ar
Daniel Clowes
I love the medium and I love individual comics, but the business is nothing I would be proud of.
Daniel Clowes
I must have been 3 years old or less, and I remember paging through these comics, trying to figure out the stories. I couldn't read the words, so I made up my own stories.
Daniel Clowes
If I could have somehow been the kind of artist who could crank out two or three issues a year, that's different. That's sort of what it's all about, to get this thing out so that there's some kind of continuity. But to do a comic book every year or two was just so anti-climactic.
Daniel Clowes
I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other.
Daniel Clowes
I think a comic looks better in the magazine. The colors are designed to be on paper, not illuminated on screen. I don't like the aspect of people reading it for free. When people get things for free, they tend to not take them as seriously. But I don't know. I'm sure 10 times more people are reading it online than in the actual paper.
Daniel Clowes
I like to leave a little room to innovate and change things around while I'm working.
Daniel Clowes
It's much more liberating as a artist to feel like you can approach each page and each panel with the way that inspires you the most. I think the thing that bogs down a lot of artists is that you're kind of stuck drawing in a style you've developed.
Daniel Clowes
Writing screenplays is very freeing from what you can do in comics in a lot of ways. You can change things around. I can take great delight in writing 40 pages, then just pressing delete and getting rid of it and not thinking about it ever again. Whereas in comics, if I had put that kind of effort into it, I couldn't go on.
Daniel Clowes
I knew how to draw all of the different smokestacks on the old trains and all that stuff, and then I realized that if I can draw trains, which is the thing I was probably the least interested in in the world at the time, I can do anything and find a way into it that will be interesting.
Daniel Clowes
Before I could read, I remember trying to piece together the stories from the images. It was a very primal experience.
Daniel Clowes
That's been my main interest for the last 15 years, is to really make sure the story and the characters take precedence over everything else, and that I give them everything I can to make them exist as actual people.
Daniel Clowes
You can give some kind of spark of life to a comic that a photograph doesn't really have. A photograph, even if it's connecting with you, it seems very dead on the page sometimes.
Daniel Clowes
