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You can give some kind of spark of life to a comic that a photograph doesn't really have. A photograph, even if it's connecting with you, it seems very dead on the page sometimes.
Daniel Clowes
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Daniel Clowes
Age: 63
Born: 1961
Born: April 14
Cartoonist
Comics Artist
Novelist
Screenwriter
Writer
Chicago
Illinois
Dan Clowes
Seems
Sparks
Give
Page
Sometimes
Comic
Giving
Photograph
Even
Pages
Kind
Photography
Really
Dead
Spark
Life
Doesn
Connecting
More quotes by Daniel Clowes
I feel like a lot of my aesthetic was in response to feeling the awfulness and cheapness of that [ the 70'th].
Daniel Clowes
The greatest moment of my life was, somebody sent me a cable-access show from Chicago that had Joey Ramone on it showing the video we made together. And he was talking about, like, This guy Dan Clowes postponed his wedding for us. He's a great guy.
Daniel Clowes
I actually start drawing things. Usually they're abandoned before I commit too much time and effort.
Daniel Clowes
That's been my main interest for the last 15 years, is to really make sure the story and the characters take precedence over everything else, and that I give them everything I can to make them exist as actual people.
Daniel Clowes
Before I could read, I remember trying to piece together the stories from the images. It was a very primal experience.
Daniel Clowes
In an art school it's very hard to tell who is the best.
Daniel Clowes
I'm not opposed to comics on the Internet. It's just not interesting to me.
Daniel Clowes
At a certain point, I realized that I could draw anything, and there was nothing I should avoid - I could make it work. That's opened me up to being able to be much more comfortable telling any kind of story.
Daniel Clowes
Comics seldom move me the way I would be moved by a novel or movie. I say this as someone who would rather read comics than watch movies, listen to music, anything. But it's not an operatic medium. I hear other people talk about being moved to tears by comics. I can't imagine that.
Daniel Clowes
I have cultivated a little crew of people whose opinions I understand. It's like the way you'd follow certain film critics because you know what their criteria are, and you may not agree with them, but you can glean from their opinion how you will feel about a film.
Daniel Clowes
I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.
Daniel Clowes
It's much more liberating as a artist to feel like you can approach each page and each panel with the way that inspires you the most. I think the thing that bogs down a lot of artists is that you're kind of stuck drawing in a style you've developed.
Daniel Clowes
I like to leave a little room to innovate and change things around while I'm working.
Daniel Clowes
Writing screenplays is very freeing from what you can do in comics in a lot of ways. You can change things around. I can take great delight in writing 40 pages, then just pressing delete and getting rid of it and not thinking about it ever again. Whereas in comics, if I had put that kind of effort into it, I couldn't go on.
Daniel Clowes
I must have been 3 years old or less, and I remember paging through these comics, trying to figure out the stories. I couldn't read the words, so I made up my own stories.
Daniel Clowes
I have this certain vision of the way I want my comics to look this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.
Daniel Clowes
But I enjoy the opportunity to use swear symbols.
Daniel Clowes
I lose faith in everything else, but rarely in my work. If I start to get bored, I change it to make it more interesting. I try not to take it too seriously, but I also try to never cheat or hurry things along.
Daniel Clowes
Surely comics require more effort on the part of the reader than movies or television. I'm always learning new things you can do with comics that wouldn't work in any other medium, and often they require the need to process a lot of dense information. Of course, the trick is to make the complicated seem effortless and spontaneous.
Daniel Clowes
You need to be, like, turning down high-paying illustration work because you want to work on your comic. That's when you know you're doing something good.
Daniel Clowes
