Quote

I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other.

Daniel Clowes

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Daniel Clowes
Age: 63
Born: 1961
Born: April 14
Cartoonist
Comics Artist
Novelist
Screenwriter
Writer
Chicago
Illinois
Dan Clowes
Trying
Kissing
Always
Empty
Would
Worst
Think
Half
Bite
Thinking
Kids
Bites
People
Littles
Fearful
Little
Glass
Everything
Glasses

More quotes by Daniel Clowes

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Avatar is a total nerd thing, and yet our popular culture has somehow made all that stuff acceptable.
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The trouble is the kind of guy I want to go out with doesn't even exist... Like a rugged, chain-smoking, intellectual, adventurer guy who's really serious, but also really funny and mean.
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I have cultivated a little crew of people whose opinions I understand. It's like the way you'd follow certain film critics because you know what their criteria are, and you may not agree with them, but you can glean from their opinion how you will feel about a film.
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I'm more interested in characters who are a little difficult.
Daniel Clowes
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I actually start drawing things. Usually they're abandoned before I commit too much time and effort.
Daniel Clowes
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In some ways, I never outgrew my adolescence. I wake up in the morning and think, 'Oh my God, I'm late for a math test!' But then I say, 'Wait a minute. I'm 40.
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If you think about it enough to have a really articulate answer, you're not doing it right. That's how I feel about art. If your thought process could take you to knowing exactly what you're doing and why, there would be no point in making the art. It would become like propaganda. It's more nebulous than that.
Daniel Clowes
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At a certain point, I realized that I could draw anything, and there was nothing I should avoid - I could make it work. That's opened me up to being able to be much more comfortable telling any kind of story.
Daniel Clowes
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In a movie, you have to be mindful that no budget is going to be able to deal with running around the globe at every whim of the writer.
Daniel Clowes
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I think I have a very clear vision of what I want things to look like.
Daniel Clowes
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It's much more liberating as a artist to feel like you can approach each page and each panel with the way that inspires you the most. I think the thing that bogs down a lot of artists is that you're kind of stuck drawing in a style you've developed.
Daniel Clowes
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I enjoy the opportunity to use swear symbols. The reader reads into them something worse than what you normally would have. They work as this outburst of incoherent anger. I've found ways to write around swearing that are much more effective, rather than going for what someone really would say.
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I'm not opposed to comics on the Internet. It's just not interesting to me.
Daniel Clowes
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I can look at my early work and see what a pained struggle it was to draw what I was drawing. I was trying so hard to get this specific look that was in my head, and always falling short.
Daniel Clowes
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I really want people to read the book, and bookstores never sold an issue of Eightball because nobody knew what it was.
Daniel Clowes
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Everybody just lets the media do their thinking for them... that's why you'll never hear any reggae on the radio!
Daniel Clowes
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Writing screenplays is very freeing from what you can do in comics in a lot of ways. You can change things around. I can take great delight in writing 40 pages, then just pressing delete and getting rid of it and not thinking about it ever again. Whereas in comics, if I had put that kind of effort into it, I couldn't go on.
Daniel Clowes
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It's embarrassing to be involved in the same business as the mainstream comic thing. It's still very embarrassing to tell other adults that I draw comic books - their instant, preconceived notions of what that means.
Daniel Clowes
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It keeps me moving when I see people doing stuff that I see as my direction. I think, Oh, it's been tainted. Now I've got to do something new. There's nothing worse than working on your own stuff and thinking that someone else is following you along.
Daniel Clowes
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I feel like a lot of my aesthetic was in response to feeling the awfulness and cheapness of that [ the 70'th].
Daniel Clowes