Quote

I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other.

Daniel Clowes

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Daniel Clowes
Age: 63
Born: 1961
Born: April 14
Cartoonist
Comics Artist
Novelist
Screenwriter
Writer
Chicago
Illinois
Dan Clowes
Think
Half
Bite
Thinking
Kids
Bites
People
Littles
Fearful
Little
Glass
Everything
Glasses
Trying
Kissing
Always
Empty
Would
Worst

More quotes by Daniel Clowes

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I feel like I understood the language of comics. I had a real fluidity with that medium at a very early age.
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I think a comic looks better in the magazine. The colors are designed to be on paper, not illuminated on screen. I don't like the aspect of people reading it for free. When people get things for free, they tend to not take them as seriously. But I don't know. I'm sure 10 times more people are reading it online than in the actual paper.
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I'm usually the last to see my influence in other people's work. People give me stuff and say Oh look, this guy's ripping you off, and I'm like What do you mean? Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another ar
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I love the medium and I love individual comics, but the business is nothing I would be proud of.
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In some ways, I never outgrew my adolescence. I wake up in the morning and think, 'Oh my God, I'm late for a math test!' But then I say, 'Wait a minute. I'm 40.
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Everybody just lets the media do their thinking for them... that's why you'll never hear any reggae on the radio!
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I lose faith in everything else, but rarely in my work. If I start to get bored, I change it to make it more interesting. I try not to take it too seriously, but I also try to never cheat or hurry things along.
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I like to leave a little room to innovate and change things around while I'm working.
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If you think about it enough to have a really articulate answer, you're not doing it right. That's how I feel about art. If your thought process could take you to knowing exactly what you're doing and why, there would be no point in making the art. It would become like propaganda. It's more nebulous than that.
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But I enjoy the opportunity to use swear symbols.
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That's been my main interest for the last 15 years, is to really make sure the story and the characters take precedence over everything else, and that I give them everything I can to make them exist as actual people.
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In an art school it's very hard to tell who is the best.
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In a movie, you have to be mindful that no budget is going to be able to deal with running around the globe at every whim of the writer.
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I actually start drawing things. Usually they're abandoned before I commit too much time and effort.
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I must have been 3 years old or less, and I remember paging through these comics, trying to figure out the stories. I couldn't read the words, so I made up my own stories.
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I'm always looking for things I imagine must exist, but don't - this is usually the impetus to create that thing myself.
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It keeps me moving when I see people doing stuff that I see as my direction. I think, Oh, it's been tainted. Now I've got to do something new. There's nothing worse than working on your own stuff and thinking that someone else is following you along.
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I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.
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Avatar is a total nerd thing, and yet our popular culture has somehow made all that stuff acceptable.
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The greatest moment of my life was, somebody sent me a cable-access show from Chicago that had Joey Ramone on it showing the video we made together. And he was talking about, like, This guy Dan Clowes postponed his wedding for us. He's a great guy.
Daniel Clowes