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In an art school it's very hard to tell who is the best.

Daniel Clowes

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Daniel Clowes
Age: 63
Born: 1961
Born: April 14
Cartoonist
Comics Artist
Novelist
Screenwriter
Writer
Chicago
Illinois
Dan Clowes
Hard
Tell
Art
School
Best

More quotes by Daniel Clowes

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In some ways, I never outgrew my adolescence. I wake up in the morning and think, 'Oh my God, I'm late for a math test!' But then I say, 'Wait a minute. I'm 40.
Daniel Clowes
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I knew how to draw all of the different smokestacks on the old trains and all that stuff, and then I realized that if I can draw trains, which is the thing I was probably the least interested in in the world at the time, I can do anything and find a way into it that will be interesting.
Daniel Clowes
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Writing screenplays is very freeing from what you can do in comics in a lot of ways. You can change things around. I can take great delight in writing 40 pages, then just pressing delete and getting rid of it and not thinking about it ever again. Whereas in comics, if I had put that kind of effort into it, I couldn't go on.
Daniel Clowes
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Surely comics require more effort on the part of the reader than movies or television. I'm always learning new things you can do with comics that wouldn't work in any other medium, and often they require the need to process a lot of dense information. Of course, the trick is to make the complicated seem effortless and spontaneous.
Daniel Clowes
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I'm more interested in characters who are a little difficult.
Daniel Clowes
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It's a challenge to express real life in dramatic terms. In an entirely made-up story, you are sometimes overwhelmed by the infinite possibilities.
Daniel Clowes
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I really want people to read the book, and bookstores never sold an issue of Eightball because nobody knew what it was.
Daniel Clowes
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It's embarrassing to be involved in the same business as the mainstream comic thing. It's still very embarrassing to tell other adults that I draw comic books - their instant, preconceived notions of what that means.
Daniel Clowes
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I actually start drawing things. Usually they're abandoned before I commit too much time and effort.
Daniel Clowes
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In a movie, you have to be mindful that no budget is going to be able to deal with running around the globe at every whim of the writer.
Daniel Clowes
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Everybody just lets the media do their thinking for them... that's why you'll never hear any reggae on the radio!
Daniel Clowes
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I enjoy the opportunity to use swear symbols. The reader reads into them something worse than what you normally would have. They work as this outburst of incoherent anger. I've found ways to write around swearing that are much more effective, rather than going for what someone really would say.
Daniel Clowes
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Even if I only had 10 readers, I'd rather do the book for them than for a million readers online.
Daniel Clowes
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There are certain things in there that no one else would recognize, really. I see details of my life that I didn't even intend to put in when I was doing the work. For example, I noticed that every single kid in the high school in The Death-Ray is based on somebody I went to high school with.
Daniel Clowes
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You need to be, like, turning down high-paying illustration work because you want to work on your comic. That's when you know you're doing something good.
Daniel Clowes
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I think I have a very clear vision of what I want things to look like.
Daniel Clowes
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I can look at my early work and see what a pained struggle it was to draw what I was drawing. I was trying so hard to get this specific look that was in my head, and always falling short.
Daniel Clowes
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I've felt that in the past, where I just felt like I had to keep drawing in the same way to maintain this sameness and rhythm throughout an entire book, and it was not really necessary.
Daniel Clowes
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But I enjoy the opportunity to use swear symbols.
Daniel Clowes
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I was thinking the other day that there will never be another form of music that everybody has to respond to - like disco.
Daniel Clowes