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Courage is more important than confidence

Dani Shapiro

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Dani Shapiro
Age: 62
Born: 1962
Born: April 10
Author
Novelist
New York City
New York
Confidence
Courage
Important

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If you write memoir, it can't be about blame or hurt it has to be creative.
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If you are a writer or any kind of artist, if you change something as fundamental as where you live - the way you live - then I think you change the very instrument that is trying to make the art
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I’ve discovered that my best work comes from the uncomfortable but fruitful feeling of not having a clue – of being worried, secretly afraid, even convinced that I’m on the wrong track.
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Music inspires me and puts me in the right mood, but to actually listen to it when I write - I find it gets in the way.
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There is no end to the promotion. There is no end to the possibilities. You can continue to promote a book for years, literally.
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My parents made the decision never to focus on my looks, and I had no sense of myself as beautiful.
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What's more important that spiritual life? It seems to me it's the bedrock of everything essential about being human.
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I'm an urban person who loves living in the country.
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In a creative journey, it is essential, no matter how far one runs, to examine that which is closest to home.
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I remember getting my first cell phone in New York, getting into a taxi and thinking This is the end of solitude in the back of a taxi. What used to happen in the back of a taxi? You looked out the window. My brain has become less able to spend lengths of time without shifting, and I worry about that.
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I've certainly faced some raw, real pain in my life. I lost my father to a car accident when I was young. My mother died ten years ago. My son was very sick as an infant. Eventually, I have attempted to transform this pain into art, to make meaning out of it.
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We are tyrannized by our options.
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When I was writing my first novel, I smoked cigarettes. And when I think about what it was like to smoke, I remember exactly the feeling of sitting in front of my big old computer in that little room where I wrote my first novel.
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I had spent my childhood and the better part of my early adulthood trying to understand my mother. She had been an extraordinarily difficult person, spiteful and full of rage, with a temper that could flare, seemingly out of nowhere, scorching everything and everyone who got in its way. [pp. 40-41]
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At some point each day (well, most days) I unroll my mat and practice for an hour. I sit in meditation for a while. This can be five minutes or twenty minutes, but the daily practice - simply showing up for it - is centering.
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We don't choose what's going to wake us up.
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Traces that live within us often lead us to our stories
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You can start your day over anytime.
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I was in my early thirties writing about my early twenties, so there was this way of seeing my younger self from enough of a distance to have perspective but also not to feel that I had to protect myself. My dreams for myself then would have undersold myself in a way.
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When I started meditating, even doing yoga, I felt like it was hard to allow myself to develop any other kind of practice [outside of Judaism], like I was somehow being untrue to my heritage, and that was something I had to get over and was probably the greatest revelation to me.
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