Quote

I find poignancy in the moments when a person realizes that she has made mistakes. I am not as interested in the mistakes themselves as I am with the consequences and how the person responds to her realization.

Dana Spiotta

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Dana Spiotta
Age: 58
Born: 1966
Born: January 16
Author
Novelist
New Jersey
United States
Find
Mistakes
Made
Consequence
Interested
Realizing
Poignancy
Mistake
Responds
Moments
Realizes
Persons
Consequences
Person
Realization

More quotes by Dana Spiotta

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All roads lead to Wall Street, but we feel the effects of Wall Street on every street corner. Certainly in Syracuse, N.Y., where I live.
Dana Spiotta
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Getting an audience requires luck as well as talent. Some artists are private and shy. It costs them too much.
Dana Spiotta
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I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
Dana Spiotta
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I like to mix the real and the imaginary. Sometimes it is characters inspired by real people I know or know of. Sometimes it is a named person from the common cultural dreamscape. And it is tricky, because they have a lot of associated ideas that come with them, and a lot of actual facts.
Dana Spiotta
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Tell me it's forbidden, unthinkable, and that's where I want to go. Because the chances are it's complicated, and the complications are meaningful.
Dana Spiotta
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I like the challenge of creating a world with only sentences.
Dana Spiotta
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It takes a long time to write a novel when you have to keep interrupting your work to earn money.
Dana Spiotta
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Even a documentary portrait of a person that tries to be very accurate is shaped by the filmmaker in so many ways.
Dana Spiotta
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Even if we try to see people in our lives accurately, it is distorted by our own wants and prejudices and experiences.
Dana Spiotta
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I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.
Dana Spiotta
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A good novel should be deeply unsettling - its satisfactions should come from its authenticity and its formal coherence. We must feel something crucial is at stake.
Dana Spiotta
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My teaching exists in a different part of my brain. However, I am lucky enough to teach very smart graduate students.
Dana Spiotta
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My teaching forces me to articulate what I think works in a piece of fiction and how I think it works. All of that gives me energy as a writer.
Dana Spiotta
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For me writing is an organic process that starts with engaging the language and then thinking about the structure of the novel as you move along. Especially in revision you start to notice correlations. Things come up, not self-consciously, because you're busy feeling your way through sentences and trying to push the language into new places.
Dana Spiotta
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I think most writers have to have a practice of writing. For me it is very early in the morning. I try to make it a separate world from the rest of my life.
Dana Spiotta
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The idea that you can live off the grid and just do your own thing is a very American idea - that you should be able to do your own thing, if you want to, if you're willing to pay the price for it. I think the price has gotten higher and higher.
Dana Spiotta
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I like to buy books for the kids in my family. I guess that's why they call me the 'mean' aunt.
Dana Spiotta
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I don't feel sentimental about the past, but I can't help noticing how hard it has become to keep a grip on anything. Maybe it's the totalizing impact of corporate culture, maybe it's the atomizing impact of technology.
Dana Spiotta
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I have to say that movies have as much impact on me as music. And that I learned as much about narrative from movies as I did from reading novels, how to arrange stories, how to juxtapose things.
Dana Spiotta
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Memory is not particularly linear - it is associative, repetitive, subjective and porous. But the writer needs to convey disorder and dysfunction without making the novel itself disorderly or dysfunctional.
Dana Spiotta