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Even if we try to see people in our lives accurately, it is distorted by our own wants and prejudices and experiences.
Dana Spiotta
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Dana Spiotta
Age: 58
Born: 1966
Born: January 16
Author
Novelist
New Jersey
United States
Prejudice
Experiences
Wants
Lives
Even
Trying
Distorted
People
Accurately
Prejudices
More quotes by Dana Spiotta
Your memories from your early childhood seem to have such purchase on your emotions. They are so concrete.
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I want what I write to be deeply engaging and strange and true.
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Getting an audience requires luck as well as talent. Some artists are private and shy. It costs them too much.
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In order to be a living, breathing thing, a novel has to be failed in some kind of way. Or at least that's how I keep writing them.
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It takes a long time to write a novel when you have to keep interrupting your work to earn money.
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I don't feel sentimental about the past, but I can't help noticing how hard it has become to keep a grip on anything. Maybe it's the totalizing impact of corporate culture, maybe it's the atomizing impact of technology.
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All roads lead to Wall Street, but we feel the effects of Wall Street on every street corner. Certainly in Syracuse, N.Y., where I live.
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The issue isn't, Am I good enough? No. The issue is, Do I not have any other choice? Will and desire don't matter. Ability doesn't matter. Need is the only thing that matters.
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I don't have a lot of skills, but one thing I can do is, I can compartmentalize. I can make that a little world that I can go back to, so I can be a waitress, or I can be a teacher, and then go and work on my book.
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I take the outline from a real person as inspiration, but the in-line is totally made up. Which is why I usually invent imaginary names.
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Even a documentary portrait of a person that tries to be very accurate is shaped by the filmmaker in so many ways.
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I have to say that movies have as much impact on me as music. And that I learned as much about narrative from movies as I did from reading novels, how to arrange stories, how to juxtapose things.
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I think most writers have to have a practice of writing. For me it is very early in the morning. I try to make it a separate world from the rest of my life.
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My teaching exists in a different part of my brain. However, I am lucky enough to teach very smart graduate students.
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I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.
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I like the challenge of creating a world with only sentences.
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The writer has to be brave, I think.
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If you directly try to write about an idea, it will never be what you imagined. But if you're imagining through the building of sentences, through the characters, and paying attention to avoid ease and comfort yet still thinking about making the sentences work, you will get a shot at some real interesting stuff.
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Memory is not particularly linear - it is associative, repetitive, subjective and porous. But the writer needs to convey disorder and dysfunction without making the novel itself disorderly or dysfunctional.
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Tell me it's forbidden, unthinkable, and that's where I want to go. Because the chances are it's complicated, and the complications are meaningful.
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