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When I write characters, I need to hear their voice. As soon as I get them speaking, and I feel how they use language, I understand who they are and what they want.
Dana Spiotta
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Dana Spiotta
Age: 58
Born: 1966
Born: January 16
Author
Novelist
New Jersey
United States
Feels
Voice
Needs
Language
Writing
Understand
Use
Write
Speaking
Character
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Need
Characters
Feel
Hear
More quotes by Dana Spiotta
Your memories from your early childhood seem to have such purchase on your emotions. They are so concrete.
Dana Spiotta
Even if we try to see people in our lives accurately, it is distorted by our own wants and prejudices and experiences.
Dana Spiotta
If you directly try to write about an idea, it will never be what you imagined. But if you're imagining through the building of sentences, through the characters, and paying attention to avoid ease and comfort yet still thinking about making the sentences work, you will get a shot at some real interesting stuff.
Dana Spiotta
I like the challenge of creating a world with only sentences.
Dana Spiotta
A good novel should be deeply unsettling - its satisfactions should come from its authenticity and its formal coherence. We must feel something crucial is at stake.
Dana Spiotta
My teaching exists in a different part of my brain. However, I am lucky enough to teach very smart graduate students.
Dana Spiotta
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
Dana Spiotta
I find poignancy in the moments when a person realizes that she has made mistakes. I am not as interested in the mistakes themselves as I am with the consequences and how the person responds to her realization.
Dana Spiotta
I take the outline from a real person as inspiration, but the in-line is totally made up. Which is why I usually invent imaginary names.
Dana Spiotta
Memory is not particularly linear - it is associative, repetitive, subjective and porous. But the writer needs to convey disorder and dysfunction without making the novel itself disorderly or dysfunctional.
Dana Spiotta
I don't have a lot of skills, but one thing I can do is, I can compartmentalize. I can make that a little world that I can go back to, so I can be a waitress, or I can be a teacher, and then go and work on my book.
Dana Spiotta
In order to be a living, breathing thing, a novel has to be failed in some kind of way. Or at least that's how I keep writing them.
Dana Spiotta
The issue isn't, Am I good enough? No. The issue is, Do I not have any other choice? Will and desire don't matter. Ability doesn't matter. Need is the only thing that matters.
Dana Spiotta
There's lots of things that can't make it in the world that are worth making. There are lots of great artists who never make it, there are lots of great writers who don't get published - is it still worthwhile? Aren't we glad people are still doing it?
Dana Spiotta
I like to mix the real and the imaginary. Sometimes it is characters inspired by real people I know or know of. Sometimes it is a named person from the common cultural dreamscape. And it is tricky, because they have a lot of associated ideas that come with them, and a lot of actual facts.
Dana Spiotta
I like to buy books for the kids in my family. I guess that's why they call me the 'mean' aunt.
Dana Spiotta
All roads lead to Wall Street, but we feel the effects of Wall Street on every street corner. Certainly in Syracuse, N.Y., where I live.
Dana Spiotta
I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.
Dana Spiotta
For me writing is an organic process that starts with engaging the language and then thinking about the structure of the novel as you move along. Especially in revision you start to notice correlations. Things come up, not self-consciously, because you're busy feeling your way through sentences and trying to push the language into new places.
Dana Spiotta
It takes a long time to write a novel when you have to keep interrupting your work to earn money.
Dana Spiotta
