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Tell me it's forbidden, unthinkable, and that's where I want to go. Because the chances are it's complicated, and the complications are meaningful.
Dana Spiotta
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Dana Spiotta
Age: 58
Born: 1966
Born: January 16
Author
Novelist
New Jersey
United States
Forbidden
Chances
Meaningful
Complicated
Chance
Tell
Complications
Complication
Unthinkable
More quotes by Dana Spiotta
I find poignancy in the moments when a person realizes that she has made mistakes. I am not as interested in the mistakes themselves as I am with the consequences and how the person responds to her realization.
Dana Spiotta
Even if we try to see people in our lives accurately, it is distorted by our own wants and prejudices and experiences.
Dana Spiotta
I don't have a lot of skills, but one thing I can do is, I can compartmentalize. I can make that a little world that I can go back to, so I can be a waitress, or I can be a teacher, and then go and work on my book.
Dana Spiotta
In order to be a living, breathing thing, a novel has to be failed in some kind of way. Or at least that's how I keep writing them.
Dana Spiotta
I like to buy books for the kids in my family. I guess that's why they call me the 'mean' aunt.
Dana Spiotta
Even a documentary portrait of a person that tries to be very accurate is shaped by the filmmaker in so many ways.
Dana Spiotta
My teaching exists in a different part of my brain. However, I am lucky enough to teach very smart graduate students.
Dana Spiotta
The writer has to be brave, I think.
Dana Spiotta
It takes a long time to write a novel when you have to keep interrupting your work to earn money.
Dana Spiotta
Although a great restaurant experience must include great food, a bad restaurant experience can be achieved through bad service alone. Ideally, service is invisible. You notice it only when something goes wrong.
Dana Spiotta
My teaching forces me to articulate what I think works in a piece of fiction and how I think it works. All of that gives me energy as a writer.
Dana Spiotta
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
Dana Spiotta
The issue isn't, Am I good enough? No. The issue is, Do I not have any other choice? Will and desire don't matter. Ability doesn't matter. Need is the only thing that matters.
Dana Spiotta
The novel is about, for me, sustained and organized looking. I do think that people have a hunger for a sustained engagement, that concentration that the book can offer.
Dana Spiotta
I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.
Dana Spiotta
I like to mix the real and the imaginary. Sometimes it is characters inspired by real people I know or know of. Sometimes it is a named person from the common cultural dreamscape. And it is tricky, because they have a lot of associated ideas that come with them, and a lot of actual facts.
Dana Spiotta
I take the outline from a real person as inspiration, but the in-line is totally made up. Which is why I usually invent imaginary names.
Dana Spiotta
Your memories from your early childhood seem to have such purchase on your emotions. They are so concrete.
Dana Spiotta
All roads lead to Wall Street, but we feel the effects of Wall Street on every street corner. Certainly in Syracuse, N.Y., where I live.
Dana Spiotta
I have to say that movies have as much impact on me as music. And that I learned as much about narrative from movies as I did from reading novels, how to arrange stories, how to juxtapose things.
Dana Spiotta
