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The two things that can hurt you are if you need money or if you need fame. Those are the things that can be your Achilles' heel. But if you don't need money and you don't need fame, then you're free.
Dana Carvey
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Dana Carvey
Age: 69
Born: 1955
Born: June 2
Actor
Comedian
Film Actor
Film Producer
Screenwriter
Television Actor
Missoula
Montana
Dana Thomas Carvey
Hurt
Free
Money
Two
Need
Heel
Needs
Achilles
Things
Heels
Fame
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If you just kind of live a regular life and make good 'Hollywood' money, you have a certain freedom.
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You know, Elizabeth Taylor must be in Heaven going, 'Alright, fire two honey!'
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I tried to go out for theater or theater arts, but I was too scared or too intimidated. But I had a lot of friends on the cross country team that had great senses of humor.
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I really enjoy being a dad, and maybe I took it too seriously, but I love being around my kids.
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I think free speech is probably the coolest thing we have in this country, and again, you can label it hate speech and dismiss it, and then you're allowed to censor it.
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You know, sometimes you can't just take an armadillo, put it in the barn, light it on fire and expect it to make licorice.
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I used to sneak up to the 8th floor and watch Eddie Murphy and Joe Piscopo rehearsing 'Saturday Night Live' and could only wonder if I would ever have the chance to be funny. It took me five years to go up the two stories, but it is such a sense of fulfillment to be able to show what I can do on national television.
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I enjoy pushing my characters to the limit. No matter how far out there I go, I look for things that make the characters human.
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I had auditioned for 'Saturday Night Live' two or three times before and never really saw myself there. I looked up to Belushi and Bill Murray and Aykroyd and I never saw myself as in their world.
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Well, I loved variety in television, I loved sketch comedy. At 'Saturday Night Live,' I stayed almost seven years.
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It's almost like he's started to sound even more exotic the more people started doing him. I don't know why, but there's just something about Al Gore that makes me laugh.
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You know ladies and gentlemen, a long time ago , there were lots of people, but that was a long time ago
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My characters all start with rhythms and sounds. Once I hear the voice and get into the rhythm, the attitude and the physicality just come out on their own.
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Describing comic sensibility is near impossible. It's sort of an abstract silliness, that sometimes the joke isn't the star.
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