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If you make everything really on the nose so everyone knows exactly what you're talking about, it's often not as strong.

Dan Mangan

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Dan Mangan
Age: 54
Composer
Musician
Singer
Songwriter
Daniel Mangan
Dan Mangan + Blacksmith
Everyone
Often
Strong
Everything
Really
Nose
Make
Noses
Exactly
Talking

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I grew up with a rotary phone in my house and that seems a world away, but that's what I was used to as a kid. So now things seem complicated to me, but to kids born right now, they don't feel complicated.
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I think the future and the past are equally hypothetical.
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I think it's important to accept all the ways that we're absurdly lucky. I'm a white male from a safe city in a wealthy country.
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I'm influenced in a million different ways by a million songs that I've heard and digested.
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There's going to be ups and downs and that you have to be okay with the downs too and embrace them just as much because they will teach you something.
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More than anything, being an English major made me more appreciative of authors and what an incredible feat it is to just finish a novel, let alone a really brilliant one.
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The idea that things used to be better is fantasy. It's putting a halo on something that no one can disprove.
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The idea that things intrinsically were just better is so stupid to me because they never were. It's all relative.
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If the point of good art is to be somewhat subtle then it's not going to catch everyone.
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I remember somebody saying, I feel really bad for kids growing up around iPads right now. It's just too complicated. Life's too complicated. I think, yeah, but I remember being a kid and holding up a new piece of technology that was made in the '80s and my grandparents going, Oh, it's too complicated. It didn't seem complicated to me.
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I don't necessarily think I look to books for ideas, but sometimes when I'm in the process of reading a great book, I just think about it all of the time.
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I used to be so young, how did I get so old?
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I don't believe in the myth of the self made man. Nobody gets through alone.
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I had a rule that I would never force the muse in my younger days. I would follow the feeling. I would just put the pen down and walk away, and wait for it to come back. But these days, I have a kid, I tour a lot, and I'm always short on time.
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To say, It used to be better, nobody can say, Well, no it wasn't. It's like telling a story that is self-aggrandizing about someone who has passed away, when they can't tell the other side of the story.
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Sometimes I just don't have time to wait for the muse to come, so I've developed things to force the muse to come back.
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I think that's why art prevails: because it helps people in a fairly intangible, magical way feel more connected to each other.
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In the war between the humans and the robots, the humans had to win. Call me hopeful.
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I can predict with some sense of certainty how life will feel in a month. I can with the same logic remember with the same element of reality or truth what life was like a month ago. All perspectives on the past are entirely relative.
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It's not supposed to make you distracted from your life, it's supposed to make you challenge the ongoing distraction with focused intention. Simply discussing how asleep we can be gives credence to the possibility of finding moments of true honest alertness.
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