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TV tends to be like, if you're lucky, it's like Las Vegas. You can't get out. There's always another pitch meeting. They keep you on the casino floor. If I'm unlucky, if I'm lucky enough to be unlucky, I would love to write a movie.

Dan Harmon

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Dan Harmon
Age: 51
Born: 1973
Born: January 3
Actor
Film Actor
Screenwriter
Showrunner
Television Producer
Writer
Milwaukee City
Wisconsin
Daniel James Harmon
Enough
Floor
Writing
Meeting
Always
Meetings
Casino
Would
Lucky
Casinos
Love
Movie
Unlucky
Like
Write
Pitch
Keep
Vegas
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Everyone knows that there are more people watching any given show than is being registered by the Nielsen system.
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None of us are bad people. We float around and we run across each other and we learn about ourselves, and we make mistakes and we do great things. We hurt others, we hurt ourselves, we make others happy and we please ourselves. We can and should forgive ourselves and each other for that.
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The concept of doing holiday episodes is a huge part of what's fantastic about doing TV. And viewers agree you see the numbers going up for holiday episodes.
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There's a fine line between a stream of consciousness and a babbling brook to nowhere.
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The public's perception of your show is what it is, and you don't get to complain how people perceive your show or talk about it.
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Good writers hate bad writing but hating bad writing doesn’t make you good. Writing badly does.
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I was raised on NBC television.
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Everything I do, in the middle of it, I lose all objectivity. The business of comedy is kind of ridiculous in that respect. Your job is to have a lot of fun in a jar, then sell it. There's something inherently illogical and impossible about that, but that being said, this is as good as it gets.
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I was playing the game where I was going to be a great TV or film writer some day and there was nothing else that I thought about, including other people.
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I love 30 Rock. It's one of my favorite shows. It's certainly the gold standard of comedy writing.
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Always hedge your bets. That's how I do it. I lay all my bets on what I can contribute, and suffer no illusions that I'm generating stuff by myself.
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When you are in the 8 o'clock position, you can either be a cultural phenomenon, or you're endangered. It's a tough time slot.
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With media, it's never bad-to-good. It's always just moving from different to different. Faster, more stuff, but there's always good, more good, and more bad.
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Storytelling comes naturally to humans, but since we live in an unnatural world, we sometimes need a little help doing what we'd naturally do.
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With an animated show you can make a banana purple. You can put three hats on a cowboy. That would require several days of stitching, in live-action, that you wouldn't be able to afford. I mean, you can just do tons and tons and tons.
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I feel like my life has always been the 'Hey Look at Me Show.' I'm not apologetic about that.
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If somebody's cat happens to turn on the TV, my numbers can double. It's almost unrelated to what's really happening.
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I walk with God, and He protects me. That may very well be true. I don't mean to make that sound like a joke, in case He is in charge.
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The most rewarding part of writing for TV is - a year ago I would have said it's just watching it on TV, it's just having been done with it and then collecting all that energy.
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Television is a populous, derivative, democratic medium.
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