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TV tends to be like, if you're lucky, it's like Las Vegas. You can't get out. There's always another pitch meeting. They keep you on the casino floor. If I'm unlucky, if I'm lucky enough to be unlucky, I would love to write a movie.

Dan Harmon

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Dan Harmon
Age: 51
Born: 1973
Born: January 3
Actor
Film Actor
Screenwriter
Showrunner
Television Producer
Writer
Milwaukee City
Wisconsin
Daniel James Harmon
Like
Write
Pitch
Keep
Vegas
Another
Tends
Enough
Floor
Writing
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Always
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Casino
Would
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Unlucky

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With media, it's never bad-to-good. It's always just moving from different to different. Faster, more stuff, but there's always good, more good, and more bad.
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I grew up on network sitcoms. If those are gone when I'm 65 years old, I would never forgive myself for not stepping up to that plate, as often as possible. I'm already bummed out that DVDs are dying off because, in my 20s, those were a huge thing.
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None of us are bad people. We float around and we run across each other and we learn about ourselves, and we make mistakes and we do great things. We hurt others, we hurt ourselves, we make others happy and we please ourselves. We can and should forgive ourselves and each other for that.
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I love 30 Rock. It's one of my favorite shows. It's certainly the gold standard of comedy writing.
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Storytelling comes naturally to humans, but since we live in an unnatural world, we sometimes need a little help doing what we'd naturally do.
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I walk with God, and He protects me. That may very well be true. I don't mean to make that sound like a joke, in case He is in charge.
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The concept of doing holiday episodes is a huge part of what's fantastic about doing TV. And viewers agree you see the numbers going up for holiday episodes.
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Everyone knows that there are more people watching any given show than is being registered by the Nielsen system.
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When you are in the 8 o'clock position, you can either be a cultural phenomenon, or you're endangered. It's a tough time slot.
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Yoda is interesting because, in addition to being wise, he is two feet tall, and a Yoda.
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Always hedge your bets. That's how I do it. I lay all my bets on what I can contribute, and suffer no illusions that I'm generating stuff by myself.
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It's so difficult to write good music. It's also really difficult to think about how to do it without violating the sanctity of the fourth wall.
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If somebody's cat happens to turn on the TV, my numbers can double. It's almost unrelated to what's really happening.
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Everything I do, in the middle of it, I lose all objectivity. The business of comedy is kind of ridiculous in that respect. Your job is to have a lot of fun in a jar, then sell it. There's something inherently illogical and impossible about that, but that being said, this is as good as it gets.
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All [tv] shows are like cigarettes. You watch two, you have a higher chance of watching three. They're all addictive.
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The public's perception of your show is what it is, and you don't get to complain how people perceive your show or talk about it.
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I was raised on NBC television.
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I was playing the game where I was going to be a great TV or film writer some day and there was nothing else that I thought about, including other people.
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The most rewarding part of writing for TV is - a year ago I would have said it's just watching it on TV, it's just having been done with it and then collecting all that energy.
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Once upon a time, something happened, and it was better than something not happening. The end.
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