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I love 30 Rock. It's one of my favorite shows. It's certainly the gold standard of comedy writing.

Dan Harmon

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Dan Harmon
Age: 51
Born: 1973
Born: January 3
Actor
Film Actor
Screenwriter
Showrunner
Television Producer
Writer
Milwaukee City
Wisconsin
Daniel James Harmon
Rocks
Certainly
Comedy
Shows
Standard
Writing
Favorite
Love
Standards
Rock
Gold

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The concept of doing holiday episodes is a huge part of what's fantastic about doing TV. And viewers agree you see the numbers going up for holiday episodes.
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I feel like my life has always been the 'Hey Look at Me Show.' I'm not apologetic about that.
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With media, it's never bad-to-good. It's always just moving from different to different. Faster, more stuff, but there's always good, more good, and more bad.
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The public's perception of your show is what it is, and you don't get to complain how people perceive your show or talk about it.
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It's so difficult to write good music. It's also really difficult to think about how to do it without violating the sanctity of the fourth wall.
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The most rewarding part of writing for TV is - a year ago I would have said it's just watching it on TV, it's just having been done with it and then collecting all that energy.
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Good writers hate bad writing but hating bad writing doesn’t make you good. Writing badly does.
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Everyone knows that there are more people watching any given show than is being registered by the Nielsen system.
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Yoda is interesting because, in addition to being wise, he is two feet tall, and a Yoda.
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If somebody's cat happens to turn on the TV, my numbers can double. It's almost unrelated to what's really happening.
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Storytelling comes naturally to humans, but since we live in an unnatural world, we sometimes need a little help doing what we'd naturally do.
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Always hedge your bets. That's how I do it. I lay all my bets on what I can contribute, and suffer no illusions that I'm generating stuff by myself.
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TV tends to be like, if you're lucky, it's like Las Vegas. You can't get out. There's always another pitch meeting. They keep you on the casino floor. If I'm unlucky, if I'm lucky enough to be unlucky, I would love to write a movie.
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There's a fine line between a stream of consciousness and a babbling brook to nowhere.
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Everything I do, in the middle of it, I lose all objectivity. The business of comedy is kind of ridiculous in that respect. Your job is to have a lot of fun in a jar, then sell it. There's something inherently illogical and impossible about that, but that being said, this is as good as it gets.
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I grew up on network sitcoms. If those are gone when I'm 65 years old, I would never forgive myself for not stepping up to that plate, as often as possible. I'm already bummed out that DVDs are dying off because, in my 20s, those were a huge thing.
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I think thoughts in my head bounce around in my skull and, if they keep bouncing around in my skull, they get worse and worse. When they come out of my mouth, they make people happy.
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All [tv] shows are like cigarettes. You watch two, you have a higher chance of watching three. They're all addictive.
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I was raised on NBC television.
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When you are in the 8 o'clock position, you can either be a cultural phenomenon, or you're endangered. It's a tough time slot.
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