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You don’t give someone notes on their performance at a soup kitchen.

Dan Harmon

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Dan Harmon
Age: 51
Born: 1973
Born: January 3
Actor
Film Actor
Screenwriter
Showrunner
Television Producer
Writer
Milwaukee City
Wisconsin
Daniel James Harmon
Notes
Someone
Give
Giving
Soup
Kitchen
Performance
Performances

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There's a fine line between a stream of consciousness and a babbling brook to nowhere.
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Whereas the health of an individual depends on the ego's regular descent and return to and from the unconscious, a society's longevity depends on actual people journeying into the unknown and returning with ideas.
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It's so difficult to write good music. It's also really difficult to think about how to do it without violating the sanctity of the fourth wall.
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With an animated show you can make a banana purple. You can put three hats on a cowboy. That would require several days of stitching, in live-action, that you wouldn't be able to afford. I mean, you can just do tons and tons and tons.
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With media, it's never bad-to-good. It's always just moving from different to different. Faster, more stuff, but there's always good, more good, and more bad.
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Good writers hate bad writing but hating bad writing doesn’t make you good. Writing badly does.
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Everything I do, in the middle of it, I lose all objectivity. The business of comedy is kind of ridiculous in that respect. Your job is to have a lot of fun in a jar, then sell it. There's something inherently illogical and impossible about that, but that being said, this is as good as it gets.
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Once upon a time, something happened, and it was better than something not happening. The end.
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I grew up on network sitcoms. If those are gone when I'm 65 years old, I would never forgive myself for not stepping up to that plate, as often as possible. I'm already bummed out that DVDs are dying off because, in my 20s, those were a huge thing.
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I was playing the game where I was going to be a great TV or film writer some day and there was nothing else that I thought about, including other people.
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I feel like my life has always been the 'Hey Look at Me Show.' I'm not apologetic about that.
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The concept of doing holiday episodes is a huge part of what's fantastic about doing TV. And viewers agree you see the numbers going up for holiday episodes.
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I think thoughts in my head bounce around in my skull and, if they keep bouncing around in my skull, they get worse and worse. When they come out of my mouth, they make people happy.
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Technology changes the medium. I grew up on watching a box in my living room that made my parents happy. After something is gone, the dust will settle and I'll see what's next.
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I love 30 Rock. It's one of my favorite shows. It's certainly the gold standard of comedy writing.
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The public's perception of your show is what it is, and you don't get to complain how people perceive your show or talk about it.
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TV tends to be like, if you're lucky, it's like Las Vegas. You can't get out. There's always another pitch meeting. They keep you on the casino floor. If I'm unlucky, if I'm lucky enough to be unlucky, I would love to write a movie.
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I was raised on NBC television.
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Always hedge your bets. That's how I do it. I lay all my bets on what I can contribute, and suffer no illusions that I'm generating stuff by myself.
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I walk with God, and He protects me. That may very well be true. I don't mean to make that sound like a joke, in case He is in charge.
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