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There are all kinds of strange threads in American culture, and places where sympathy is extended and places where it isn't, and places where outrage is extended and places where it's not. It's this constantly shifting barrel of eels.
Dan Chaon
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Dan Chaon
Age: 60
Novelist
Writer
Sidney
Nebraska
Constantly
Eels
Places
Threads
Strange
Barrel
American
Extended
Culture
Outrage
Kind
Shifting
Sympathy
Kinds
More quotes by Dan Chaon
The feeling of being an outsider, and the identity theme, are hardwired into me. If there's anything really autobiographical in my fiction, it's that feeling. I always feel that way.
Dan Chaon
Identity issues are hardwired into the way I think about character - it's almost as if I can't get away from them even if I want to.
Dan Chaon
I think we're always in some ways writing to the teachers who gave us early love.
Dan Chaon
Writing a short story is a little like walking into a dark room, finding a light and turning it on. The light is the end of the story.
Dan Chaon
Writing about women's sexuality is very scary for me because I'm always afraid I'll get it wrong.
Dan Chaon
I don't think anybody deals well with tragedy or grief, but maybe my characters are particularly bad at it. Which is why I love them.
Dan Chaon
It's not like it ruined my life, I was going to say, but then I didn't. Because it occurred to me that maybe it had ruined my life, in a kind of quiet way--a little lie, probably not so vital, insidiously separating me from everyone I loved.
Dan Chaon
The danger in writing about a world you don't know very well is that you can get lost in it, and sometimes I'll end up with a hundred pages I don't know what to do with.
Dan Chaon
Plot and scene are still the hardest things for me, though I think they're the building blocks of what makes a story work.
Dan Chaon
I was worried that, as a college teacher, if I wrote too much about intergenerational sex my students would be creeped out.
Dan Chaon
I read a lot, but at the same time I'm not a particularly good or diligent or discriminating reader. I go through maybe close to a thousand or more books a year, but a lot of times I'll only read bits and pieces of any one individual text.
Dan Chaon
In the end, there probably isn't much difference between being in love and acting like you're in love.
Dan Chaon
So this was what it felt like to lose yourself. Again. To let go of your future and let it rise up and up until finally you couldn't see it anymore, and you knew that you had to start over.
Dan Chaon
The thing that made me turn more towards writing was realizing how hard it was going to be to get a singular vision on film and how much more control I would have if I were writing novels.
Dan Chaon
The kind of person I find myself interested in is a cross between being very emotionally complex and very immature. That's what I felt I was like when I was younger.
Dan Chaon
I guess I'm curious about how people process grief and how they process loss. And I'm also interested in the ways in which an event can have long-reaching consequences and a life over the course of years.
Dan Chaon
Julie Orringer is the real thing, a breathtaking chronicler of the secrets and cruelties underneath the surface of middle-class American life. These are terrific stories-wise, compassionate and haunting.
Dan Chaon
Fiction is fun because you get to steal an identity and try to make it authentic.
Dan Chaon
I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.
Dan Chaon
That's how I work, whether with stories or novels - they start with an image that comes to me in a daydream, and a lot of times I'm walking around with these pictures in my head for awhile before I start writing.
Dan Chaon