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The danger in writing about a world you don't know very well is that you can get lost in it, and sometimes I'll end up with a hundred pages I don't know what to do with.

Dan Chaon

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Dan Chaon
Age: 60
Novelist
Writer
Sidney
Nebraska
World
Hundred
Danger
Lost
Ends
Wells
Well
Sometimes
Writing
Pages

More quotes by Dan Chaon

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At a certain point, you must be able to slip loose. At a certain point, you found that you had been set free. You could be anyone, he thought. You could be anyone.
Dan Chaon
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Writing short stories was kind of like I was cheating the whole time, in some way. I went back and forth between writing the novels and sort of sneaking out to work on stories occasionally. These stories were written over the last 10 years or so, as I was taking breaks from the novels I've written.
Dan Chaon
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I would say that all short stories have mystery naturally built into them.
Dan Chaon
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I read a lot, but at the same time I'm not a particularly good or diligent or discriminating reader. I go through maybe close to a thousand or more books a year, but a lot of times I'll only read bits and pieces of any one individual text.
Dan Chaon
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You can't tell people how to feel when they read your work. You can only hope to connect.
Dan Chaon
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I think we're always in some ways writing to the teachers who gave us early love.
Dan Chaon
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There are all kinds of strange threads in American culture, and places where sympathy is extended and places where it isn't, and places where outrage is extended and places where it's not. It's this constantly shifting barrel of eels.
Dan Chaon
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You can recognize in your own reading habits what writers are doing that works and what doesn't. I'm becoming much more aware of that after reading a decade of student stories.
Dan Chaon
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The thing that made me turn more towards writing was realizing how hard it was going to be to get a singular vision on film and how much more control I would have if I were writing novels.
Dan Chaon
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A lot of time, with stories, I'll start out with a title and try to dream myself into the story that it evokes - a kind of subconscious exercise in which I'm trawling for some kind of entryway into fiction.
Dan Chaon
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I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.
Dan Chaon
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I have to admit that 'Psychology Today' was one of the first magazines I started reading, back when I was 13 or 14, because I was the kind of kid that was curious about the mysterious human mind - I hoped to learn about telekenisis, multiple personalities, psychosis, and various other cool and terrible things that happened inside people's heads.
Dan Chaon
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The kind of person I find myself interested in is a cross between being very emotionally complex and very immature. That's what I felt I was like when I was younger.
Dan Chaon
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I'm certainly very influenced by what you would call 'contemporary headline horror,' stuff that is true crime or for one reason or another catches our attention in the media, those strange cases that we end up obsessing about. I'm always influenced by weird anecdotes and news.
Dan Chaon
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That's how I work, whether with stories or novels - they start with an image that comes to me in a daydream, and a lot of times I'm walking around with these pictures in my head for awhile before I start writing.
Dan Chaon
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It's not like it ruined my life, I was going to say, but then I didn't. Because it occurred to me that maybe it had ruined my life, in a kind of quiet way--a little lie, probably not so vital, insidiously separating me from everyone I loved.
Dan Chaon
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Writing about women's sexuality is very scary for me because I'm always afraid I'll get it wrong.
Dan Chaon
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I guess I'm curious about how people process grief and how they process loss. And I'm also interested in the ways in which an event can have long-reaching consequences and a life over the course of years.
Dan Chaon
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Sometimes he thinks that if he could only trace the path of his life carefully enough, everything would become clear. The ways that he screwed up would make sense. He closes his eyes tightly. His life wasn't always a mistake, he thinks, and he breathes uncertainly for awhile, trying to find a pathway into unconsciousness, into sleep.
Dan Chaon
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Plot and scene are still the hardest things for me, though I think they're the building blocks of what makes a story work.
Dan Chaon