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There are so many people we could become, and we leave such a trail of bodies through our teens and twenties that it's hard to tell which one is us. How many versions do we abandon over the years?

Dan Chaon

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Dan Chaon
Age: 60
Novelist
Writer
Sidney
Nebraska
Abandon
Many
Hard
Versions
Years
Bodies
People
Twenties
Leave
Trail
Tell
Trails
Become
Teens
Body

More quotes by Dan Chaon

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I never could figure out how those people like Bukowski could be both carousers and writers at the same time, because to me writing takes as much destructive energy as it takes to be a really good professional drunk.
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I would say that all short stories have mystery naturally built into them.
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A lot of time, with stories, I'll start out with a title and try to dream myself into the story that it evokes - a kind of subconscious exercise in which I'm trawling for some kind of entryway into fiction.
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Sometimes he thinks that if he could only trace the path of his life carefully enough, everything would become clear. The ways that he screwed up would make sense. He closes his eyes tightly. His life wasn't always a mistake, he thinks, and he breathes uncertainly for awhile, trying to find a pathway into unconsciousness, into sleep.
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It's not like it ruined my life, I was going to say, but then I didn't. Because it occurred to me that maybe it had ruined my life, in a kind of quiet way--a little lie, probably not so vital, insidiously separating me from everyone I loved.
Dan Chaon
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I keep a daily journal of whatever weird thought comes into my mind, like when I had a dream I was in North Dakota in the middle of a blizzard and for some reason the Egyptian pyramids were there, too - that I was able to shuffle into the book.
Dan Chaon
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The feeling of being an outsider, and the identity theme, are hardwired into me. If there's anything really autobiographical in my fiction, it's that feeling. I always feel that way.
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You can't tell people how to feel when they read your work. You can only hope to connect.
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I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.
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I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.
Dan Chaon
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I don't think anybody deals well with tragedy or grief, but maybe my characters are particularly bad at it. Which is why I love them.
Dan Chaon
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I think we're always in some ways writing to the teachers who gave us early love.
Dan Chaon
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The kind of person I find myself interested in is a cross between being very emotionally complex and very immature. That's what I felt I was like when I was younger.
Dan Chaon
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There are all kinds of strange threads in American culture, and places where sympathy is extended and places where it isn't, and places where outrage is extended and places where it's not. It's this constantly shifting barrel of eels.
Dan Chaon
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My main reader was my wife Sheila, and I haven't written a lot since she died.
Dan Chaon
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The danger in writing about a world you don't know very well is that you can get lost in it, and sometimes I'll end up with a hundred pages I don't know what to do with.
Dan Chaon
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I read a lot, but at the same time I'm not a particularly good or diligent or discriminating reader. I go through maybe close to a thousand or more books a year, but a lot of times I'll only read bits and pieces of any one individual text.
Dan Chaon
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You can recognize in your own reading habits what writers are doing that works and what doesn't. I'm becoming much more aware of that after reading a decade of student stories.
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The earliest impetuses for writing, for me, were simply the strange things I happened to notice in my everyday life, stuff I read about in the grocery store tabloids my mom bought, situations that struck me as compelling, anecdotes I'd heard, images, words, metaphors.
Dan Chaon
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Writing a short story is a little like walking into a dark room, finding a light and turning it on. The light is the end of the story.
Dan Chaon