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Moments of unexpected sweetness happen when romance enters, which always happens in songs - if just for a split second.

Dan Bejar

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Dan Bejar
Age: 52
Born: 1972
Born: October 4
Singer
Singer-Songwriter
Songwriter
Dominion of Canada
Daniel Bejar
Second
Happen
Enters
Song
Split
Moments
Splits
Happens
Sweetness
Always
Unexpected
Romance
Songs

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When I'm on stage I don't say anything. The last thing I want to do is share my thoughts. I don't know if that's mysterious - maybe it's just old fashioned.
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Most musicians don't write about being a musician cause most musicians aren't writers.
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I can't fool myself into thinking that musically I don't need other people, whether it's as a foil or just to come in and make real the ideas that are kind of vague and wispy in my head.
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I'm just a sucker for new-agey synth sounds and instrumentation. I wasn't really thinking of soft rock, but I know that kind of quiet-storm format uses a lot of these sounds.
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Even though people like to say Destroyer [albom] is gibberish and all that, I usually know exactly what I'm saying at every single moment.
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Part of me likes words as music sabotage, and part of me wonders why anyone would waste their time liking anything to do with sabotage.
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No one appreciates a professional anymore. Everyone's a mystic. Which is why I take drunk Jim over acid Jim - the argument all roads eventually lead to.
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I don't really listen to rock music anymore. But were I to write a song that sounded like it could be a rock song, I'd probably give it to the Pornographers, and I'd be excited to try to make it work.
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I don't banter with the audience, cause I don't have anything to say to them, and I'm not feeling any sense of ease or camaraderie when I'm on stage.
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Kaputt was just a record that did really well for us, and therefore our record label and our booking agent said that we should go out and take our message to the world.
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I like putting common expressions next to uncommon expressions. I'm sure in Poetry 101 there is a name for it, but it seems like you usually go one way or the other in rock music.
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Once you feel like you can safely quit a melody, you are free to explore more important things.
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Really good musicians don't think of self-reflection.
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I think the more removed I feel, the more I warm up to the role of singer.
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There are too many Destroyer records to just start rattling them left them off, but they're there.
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I've never had any kind of work ethic. I've never sat down with the intention of writing a song.
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I'm more focused as a singer and hands-on with music and more exacting, and less trying to furiously fit a thousands thoughts into a four minute song.
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I always start with the lyrics, because starting with the music means the words will be bad.
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It's actually really stereotypical that someone should be 40 and mellow out, but I think it's more about trying to conjure up a different intensity in my head, one where I'm more focused as a singer and hands-on with music and more exacting, and less trying to furiously fit a thousands thoughts into a four minute song.
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I knew what real instruments I wanted and, in some cases, who I wanted to play them. I had started listening to a lot of ambient music and jazz and I wanted to incorporate stuff like that, too.
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