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I like putting common expressions next to uncommon expressions. I'm sure in Poetry 101 there is a name for it, but it seems like you usually go one way or the other in rock music.

Dan Bejar

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Dan Bejar
Age: 52
Born: 1972
Born: October 4
Singer
Singer-Songwriter
Songwriter
Dominion of Canada
Daniel Bejar
Like
Name
Uncommon
Names
Expressions
Sure
Putting
Common
Rock
Next
Rocks
Seems
Usually
Music
Poetry
Way
Expression

More quotes by Dan Bejar

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I like playing music. I don't always like the feeling of people looking at me. I don't think I'm, like, a natural performer, but I'm getting better.
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I can't fool myself into thinking that musically I don't need other people, whether it's as a foil or just to come in and make real the ideas that are kind of vague and wispy in my head.
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I'm probably more into a more spacious, even meditative, quiet delivery of singing.
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Kaputt was just a record that did really well for us, and therefore our record label and our booking agent said that we should go out and take our message to the world.
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I've never had any kind of work ethic. I've never sat down with the intention of writing a song.
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I think the more removed I feel, the more I warm up to the role of singer.
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I don't really listen to rock music anymore. But were I to write a song that sounded like it could be a rock song, I'd probably give it to the Pornographers, and I'd be excited to try to make it work.
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I used to struggle a little bit with the idea of how to separate singing from acting and entertaining.
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I knew what real instruments I wanted and, in some cases, who I wanted to play them. I had started listening to a lot of ambient music and jazz and I wanted to incorporate stuff like that, too.
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I'm more focused as a singer and hands-on with music and more exacting, and less trying to furiously fit a thousands thoughts into a four minute song.
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I'm not that conscious of my writing, so pacing the lyrics doesn't really enter the picture.
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When I'm on stage I don't say anything. The last thing I want to do is share my thoughts. I don't know if that's mysterious - maybe it's just old fashioned.
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I'm just a sucker for new-agey synth sounds and instrumentation. I wasn't really thinking of soft rock, but I know that kind of quiet-storm format uses a lot of these sounds.
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It's actually really stereotypical that someone should be 40 and mellow out, but I think it's more about trying to conjure up a different intensity in my head, one where I'm more focused as a singer and hands-on with music and more exacting, and less trying to furiously fit a thousands thoughts into a four minute song.
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Part of me likes words as music sabotage, and part of me wonders why anyone would waste their time liking anything to do with sabotage.
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I'm not really sure that I have the same definition of things as other people. Like, when people talk about being engaged with the audience, I'm not exactly sure what they mean.
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I actually do see rock and roll as pop music. I think the distinction I was making was that I was going out of my way to have a very consistent approach to production, where nothing kind of punctures the reality - or, I guess, the fake reality - of the album and what you're listening to from beginning to end.
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People say I write specifically about nothing in particular. I don't know about the latter part, but I think the first part is really important in conjuring up a voice that works, or at least the illusion of a voice at work.
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I always start with the lyrics, because starting with the music means the words will be bad.
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Really good musicians don't think of self-reflection.
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