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I'm just a sucker for new-agey synth sounds and instrumentation. I wasn't really thinking of soft rock, but I know that kind of quiet-storm format uses a lot of these sounds.
Dan Bejar
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Dan Bejar
Age: 52
Born: 1972
Born: October 4
Singer
Singer-Songwriter
Songwriter
Dominion of Canada
Daniel Bejar
Rocks
Instrumentation
Quiet
Sucker
Wasn
Format
Sound
Uses
Use
Soft
Kind
Storm
Really
Sounds
Thinking
Rock
Synth
More quotes by Dan Bejar
No one appreciates a professional anymore. Everyone's a mystic. Which is why I take drunk Jim over acid Jim - the argument all roads eventually lead to.
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I used to struggle a little bit with the idea of how to separate singing from acting and entertaining.
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I'm not really sure that I have the same definition of things as other people. Like, when people talk about being engaged with the audience, I'm not exactly sure what they mean.
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I always start with the lyrics, because starting with the music means the words will be bad.
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Most musicians don't write about being a musician cause most musicians aren't writers.
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I actually do see rock and roll as pop music. I think the distinction I was making was that I was going out of my way to have a very consistent approach to production, where nothing kind of punctures the reality - or, I guess, the fake reality - of the album and what you're listening to from beginning to end.
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I've never had any kind of work ethic. I've never sat down with the intention of writing a song.
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I think the more removed I feel, the more I warm up to the role of singer.
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I'm probably more into a more spacious, even meditative, quiet delivery of singing.
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Part of me likes words as music sabotage, and part of me wonders why anyone would waste their time liking anything to do with sabotage.
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I knew what real instruments I wanted and, in some cases, who I wanted to play them. I had started listening to a lot of ambient music and jazz and I wanted to incorporate stuff like that, too.
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Generally, if you could picture a bunch of rock and roll momentum behind a song and it was particularly melodious, maybe the Pornographers would do it. If it was kind of moody and more lyrical, then maybe it would be a Destroyer song. Anything that's really lyrically driven I would keep for Destroyer.
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Really good musicians don't think of self-reflection.
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When I go to a show, all I really want is to hear a performance that sounds legitimate, and not just going through the motions. I'm not sure any amount of jumping up and down really persuades me in either direction.
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I like playing music. I don't always like the feeling of people looking at me. I don't think I'm, like, a natural performer, but I'm getting better.
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I don't banter with the audience, cause I don't have anything to say to them, and I'm not feeling any sense of ease or camaraderie when I'm on stage.
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I'm not that conscious of my writing, so pacing the lyrics doesn't really enter the picture.
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Moments of unexpected sweetness happen when romance enters, which always happens in songs - if just for a split second.
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People say I write specifically about nothing in particular. I don't know about the latter part, but I think the first part is really important in conjuring up a voice that works, or at least the illusion of a voice at work.
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Even though people like to say Destroyer [albom] is gibberish and all that, I usually know exactly what I'm saying at every single moment.
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