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I don't really listen to rock music anymore. But were I to write a song that sounded like it could be a rock song, I'd probably give it to the Pornographers, and I'd be excited to try to make it work.

Dan Bejar

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Dan Bejar
Age: 52
Born: 1972
Born: October 4
Singer
Singer-Songwriter
Songwriter
Dominion of Canada
Daniel Bejar
Giving
Rock
Writing
Rocks
Trying
Listen
Work
Probably
Really
Song
Pornographers
Make
Write
Sounded
Like
Give
Excited
Music
Anymore

More quotes by Dan Bejar

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I'm not really sure that I have the same definition of things as other people. Like, when people talk about being engaged with the audience, I'm not exactly sure what they mean.
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Kaputt was just a record that did really well for us, and therefore our record label and our booking agent said that we should go out and take our message to the world.
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I actually do see rock and roll as pop music. I think the distinction I was making was that I was going out of my way to have a very consistent approach to production, where nothing kind of punctures the reality - or, I guess, the fake reality - of the album and what you're listening to from beginning to end.
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I like playing music. I don't always like the feeling of people looking at me. I don't think I'm, like, a natural performer, but I'm getting better.
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Part of me likes words as music sabotage, and part of me wonders why anyone would waste their time liking anything to do with sabotage.
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I'm probably more into a more spacious, even meditative, quiet delivery of singing.
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Once you feel like you can safely quit a melody, you are free to explore more important things.
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I've never had any kind of work ethic. I've never sat down with the intention of writing a song.
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I always start with the lyrics, because starting with the music means the words will be bad.
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I like putting common expressions next to uncommon expressions. I'm sure in Poetry 101 there is a name for it, but it seems like you usually go one way or the other in rock music.
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Moments of unexpected sweetness happen when romance enters, which always happens in songs - if just for a split second.
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I don't banter with the audience, cause I don't have anything to say to them, and I'm not feeling any sense of ease or camaraderie when I'm on stage.
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Generally, if you could picture a bunch of rock and roll momentum behind a song and it was particularly melodious, maybe the Pornographers would do it. If it was kind of moody and more lyrical, then maybe it would be a Destroyer song. Anything that's really lyrically driven I would keep for Destroyer.
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No one appreciates a professional anymore. Everyone's a mystic. Which is why I take drunk Jim over acid Jim - the argument all roads eventually lead to.
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It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs songs that I couldn't just sit down and play in front of someone and then get them to play over it.
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I knew what real instruments I wanted and, in some cases, who I wanted to play them. I had started listening to a lot of ambient music and jazz and I wanted to incorporate stuff like that, too.
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Even though people like to say Destroyer [albom] is gibberish and all that, I usually know exactly what I'm saying at every single moment.
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I think the more removed I feel, the more I warm up to the role of singer.
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It's actually really stereotypical that someone should be 40 and mellow out, but I think it's more about trying to conjure up a different intensity in my head, one where I'm more focused as a singer and hands-on with music and more exacting, and less trying to furiously fit a thousands thoughts into a four minute song.
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Most musicians don't write about being a musician cause most musicians aren't writers.
Dan Bejar