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I felt like if I said something positive on Twitter, it got no play. But if I said something negative on Twitter, it was a billion retweets and so that was giving me a Pavlovian response to be mean, and I don't want to be mean. We all have mean thoughts. They should not be broadcast on Twitter. You don't need to see mean things.

Damon Lindelof

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Damon Lindelof
Age: 51
Born: 1973
Born: April 24
Executive Producer
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Damon Laurence Lindelof
Giving
Billion
Mean
Response
Something
Negative
Things
Positive
Like
Thoughts
Felt
Pavlovian
Play
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Need
Twitter

More quotes by Damon Lindelof

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From my own internal fanboy perspective, there's nothing that I hate more than seeing a three minute trailer for a movie where I feel like it's shown me the entire movie.
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I'm not sitting around thinking of ideas for TV shows.
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Essentially, there's no scientific evidence whatsoever that could ever be presented to me that would wipe out my fundamental spiritual beliefs.
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When someone says something in an interview, the beauty of Twitter is that it's a platform for instantaneous response.
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My father - until the day that my dad died - didn't know how many points you scored in a touchdown. He could say there were nine innings in baseball, but no intricacies of the sport.
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Hindsight is 20/20, but the moral of the writing for me is that when you're feeling very scared and nervous about something and you're fairly convinced that it could be a massive disaster, that's exactly the idea that you should do.
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I love collaborating with different people.
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I've always been fascinated by Disneyland and Disney World, and my favorite part of the park was always Tomorrowland.
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When someone says something that really hurts me, I have to retweet it to let it go.
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Sometimes we get frustrated ourselves and decide it's time to download a big chunk of mythology. And then the audience says, 'I find this confusing and alienating and too weird.' So then we pull back, and they say, 'You're not giving us enough'.
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When you're a writer and you're a producer, traditionally the junkets are really focused on the beautiful people and nobody wants to talk to you.
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I'll never be immune to criticism, and that's okay, and I'm very comfortable with that.
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I'm trying to focus as much on the here and now as possible. To live my life in a way that the humans that I know here on the planet Earth feel like they've been treated with respect by me, whether they're people that I'm very close to or the audience who's watching my work.
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Anger is not a real feeling. Every time in my life I've ever been angry, it's because I was scared, or because I was sad and I didn't know it. Anger doesn't just come out of a vacuum.
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In really, really good science fiction the line between the science and the fiction is blurry.
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I think that we, as writers, get excited by risk. When we are feeling comfortable and familiar, I wouldn't say that we get bored, but the energy in the room gets flat. When we're most excited and when the show is the most fun, it's when we're duking things out.
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I've always been into having stories told to me. I was a voracious reader, my father was also a teller of tales and the kind of Baron Munchausen proxy of a tall tale was much more interesting than a true tale.
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Good twists are enormously hard to come by, and I think the best ones are earned ones. The idea that a story can take a left turn on you, it's easy to do, but it has to be done very, very carefully, or else you risk losing the audience's trust.
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You can watch an episode of Friends or an episode of Law & Order and just drop in, but you're not going to in the middle of Season 4, Episode 5 of Lost. It's like picking up a Harry Potter book and flipping to a chapter. You have to read it from beginning to end.
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Once you spend more than $100 million on a movie, you have to save the world.
Damon Lindelof