Quote

I can't live my life under the sort of I cannot fail philosophy, because then every time I do fail, which feels more inevitable than me being perfect all the time, it's going to be soul crushing. And more importantly, I'll never take any risks.

Damon Lindelof

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Damon Lindelof
Age: 51
Born: 1973
Born: April 24
Executive Producer
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Damon Laurence Lindelof
Take
Failing
Feels
Risk
Going
Philosophy
Crushing
Every
Sort
Importantly
Never
Perfect
Risks
Time
Cannot
Crush
Life
Soul
Inevitable
Live
Fail

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Hindsight is 20/20, but the moral of the writing for me is that when you're feeling very scared and nervous about something and you're fairly convinced that it could be a massive disaster, that's exactly the idea that you should do.
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My gravestone will say,'Here Lies Damon Lindelof - Or Does He?
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The best jokes on The Leftovers are the ones that make you feel a little sick to your stomach.
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I love collaborating with different people.
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Sometimes diehard fans expect so much that they're never happy no matter what they get.
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It's just immensely frustrating that things like Breaking Bad get made that are kind of perfect! There's not even a bad episode of Breaking Bad, let alone a bad season. I want to be able to say, Hey everybody, it's impossible to make a show where every episode is great! No it's not.
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I'm not sitting around thinking of ideas for TV shows.
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When you're a writer and you're a producer, traditionally the junkets are really focused on the beautiful people and nobody wants to talk to you.
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I have found, unfortunately, that if I take on too many projects at one time, there is a higher probability of those projects sucking.
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I've always felt that really good prequels should be original movies.
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Sometimes we get frustrated ourselves and decide it's time to download a big chunk of mythology. And then the audience says, 'I find this confusing and alienating and too weird.' So then we pull back, and they say, 'You're not giving us enough'.
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I feel like great TED Talks are ones that are a little bit subject to interpretation, that do provoke further conversation - and potentially controversy.
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I think that we, as writers, get excited by risk. When we are feeling comfortable and familiar, I wouldn't say that we get bored, but the energy in the room gets flat. When we're most excited and when the show is the most fun, it's when we're duking things out.
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Anger is not a real feeling. Every time in my life I've ever been angry, it's because I was scared, or because I was sad and I didn't know it. Anger doesn't just come out of a vacuum.
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I've always been into having stories told to me. I was a voracious reader, my father was also a teller of tales and the kind of Baron Munchausen proxy of a tall tale was much more interesting than a true tale.
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At some point, you can't take a risk just to take a risk because that's a betrayal, in and of itself.
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Connecting dots is not that rewarding of an experience.
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I think 'The Lord of the Rings' trilogy has a very satisfying ending, and there's not really that deep of a mythological construct.
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I'll never be immune to criticism, and that's okay, and I'm very comfortable with that.
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