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I can't live my life under the sort of I cannot fail philosophy, because then every time I do fail, which feels more inevitable than me being perfect all the time, it's going to be soul crushing. And more importantly, I'll never take any risks.

Damon Lindelof

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Damon Lindelof
Age: 51
Born: 1973
Born: April 24
Executive Producer
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Damon Laurence Lindelof
Going
Philosophy
Crushing
Every
Sort
Importantly
Never
Perfect
Risks
Time
Cannot
Crush
Life
Soul
Inevitable
Live
Fail
Take
Failing
Feels
Risk

More quotes by Damon Lindelof

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I'm not sitting around thinking of ideas for TV shows.
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I've always been into having stories told to me. I was a voracious reader, my father was also a teller of tales and the kind of Baron Munchausen proxy of a tall tale was much more interesting than a true tale.
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The best jokes on The Leftovers are the ones that make you feel a little sick to your stomach.
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At some point, you can't take a risk just to take a risk because that's a betrayal, in and of itself.
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People are disappointed when the world doesn't end on their watch.
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I think that we, as writers, get excited by risk. When we are feeling comfortable and familiar, I wouldn't say that we get bored, but the energy in the room gets flat. When we're most excited and when the show is the most fun, it's when we're duking things out.
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I've always been fascinated by Disneyland and Disney World, and my favorite part of the park was always Tomorrowland.
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Finding meaning in the relationships that we have with one another - that's the only way to achieve any kind of fundamental true grace and that points to where it all ends up. It's let's stop being away some place, let's be here. It's, let's be in this.
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I'm not glass-half-full, glass-half-empty I'm like, There's a glass?
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Essentially, there's no scientific evidence whatsoever that could ever be presented to me that would wipe out my fundamental spiritual beliefs.
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There is no suspense in inevitability.
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In really, really good science fiction the line between the science and the fiction is blurry.
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Anger is not a real feeling. Every time in my life I've ever been angry, it's because I was scared, or because I was sad and I didn't know it. Anger doesn't just come out of a vacuum.
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I felt like if I said something positive on Twitter, it got no play. But if I said something negative on Twitter, it was a billion retweets and so that was giving me a Pavlovian response to be mean, and I don't want to be mean. We all have mean thoughts. They should not be broadcast on Twitter. You don't need to see mean things.
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Hindsight is 20/20, but the moral of the writing for me is that when you're feeling very scared and nervous about something and you're fairly convinced that it could be a massive disaster, that's exactly the idea that you should do.
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I'll never be immune to criticism, and that's okay, and I'm very comfortable with that.
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I think that at the end of the day I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the New York Times crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.
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Good twists are enormously hard to come by, and I think the best ones are earned ones. The idea that a story can take a left turn on you, it's easy to do, but it has to be done very, very carefully, or else you risk losing the audience's trust.
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I've always felt that really good prequels should be original movies.
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I'm trying to focus as much on the here and now as possible. To live my life in a way that the humans that I know here on the planet Earth feel like they've been treated with respect by me, whether they're people that I'm very close to or the audience who's watching my work.
Damon Lindelof