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I've always been into having stories told to me. I was a voracious reader, my father was also a teller of tales and the kind of Baron Munchausen proxy of a tall tale was much more interesting than a true tale.
Damon Lindelof
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Damon Lindelof
Age: 51
Born: 1973
Born: April 24
Executive Producer
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Damon Laurence Lindelof
Father
Teller
True
Proxy
Stories
Tale
Also
Tall
Much
Tales
Kind
Reader
Always
Told
Baron
Interesting
Voracious
More quotes by Damon Lindelof
I can't live my life under the sort of I cannot fail philosophy, because then every time I do fail, which feels more inevitable than me being perfect all the time, it's going to be soul crushing. And more importantly, I'll never take any risks.
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One person's magical thinking is another person's cynicism.
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My father - until the day that my dad died - didn't know how many points you scored in a touchdown. He could say there were nine innings in baseball, but no intricacies of the sport.
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At some point, you can't take a risk just to take a risk because that's a betrayal, in and of itself.
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I've always felt that really good prequels should be original movies.
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You can watch an episode of Friends or an episode of Law & Order and just drop in, but you're not going to in the middle of Season 4, Episode 5 of Lost. It's like picking up a Harry Potter book and flipping to a chapter. You have to read it from beginning to end.
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It's just immensely frustrating that things like Breaking Bad get made that are kind of perfect! There's not even a bad episode of Breaking Bad, let alone a bad season. I want to be able to say, Hey everybody, it's impossible to make a show where every episode is great! No it's not.
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I'll never be immune to criticism, and that's okay, and I'm very comfortable with that.
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I think 'The Lord of the Rings' trilogy has a very satisfying ending, and there's not really that deep of a mythological construct.
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Connecting dots is not that rewarding of an experience.
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Hindsight is 20/20, but the moral of the writing for me is that when you're feeling very scared and nervous about something and you're fairly convinced that it could be a massive disaster, that's exactly the idea that you should do.
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Sometimes diehard fans expect so much that they're never happy no matter what they get.
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Anger is not a real feeling. Every time in my life I've ever been angry, it's because I was scared, or because I was sad and I didn't know it. Anger doesn't just come out of a vacuum.
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Michael Arndt, that guy - you're just supposed to say nice things about other writers, but I worship Michael Arndt.
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If you do something awesome, you should be proud of yourself.
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I think that 'The Shield' was a phenomenal series finale.
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Once you spend more than $100 million on a movie, you have to save the world.
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I think that we, as writers, get excited by risk. When we are feeling comfortable and familiar, I wouldn't say that we get bored, but the energy in the room gets flat. When we're most excited and when the show is the most fun, it's when we're duking things out.
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I have found, unfortunately, that if I take on too many projects at one time, there is a higher probability of those projects sucking.
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I look at myself more as a storyteller than a screenwriter, as pretentious as that may sound, but that's what really attracts me to TED Talks. For me, the really effective ones are being presented by expert storytellers.
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