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I look at myself more as a storyteller than a screenwriter, as pretentious as that may sound, but that's what really attracts me to TED Talks. For me, the really effective ones are being presented by expert storytellers.

Damon Lindelof

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Damon Lindelof
Age: 51
Born: 1973
Born: April 24
Executive Producer
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Damon Laurence Lindelof
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Good twists are enormously hard to come by, and I think the best ones are earned ones. The idea that a story can take a left turn on you, it's easy to do, but it has to be done very, very carefully, or else you risk losing the audience's trust.
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One person's magical thinking is another person's cynicism.
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I've always been into having stories told to me. I was a voracious reader, my father was also a teller of tales and the kind of Baron Munchausen proxy of a tall tale was much more interesting than a true tale.
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I love collaborating with different people.
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Sometimes diehard fans expect so much that they're never happy no matter what they get.
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If you do something awesome, you should be proud of yourself.
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In really, really good science fiction the line between the science and the fiction is blurry.
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Michael Arndt, that guy - you're just supposed to say nice things about other writers, but I worship Michael Arndt.
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Once you spend more than $100 million on a movie, you have to save the world.
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I have found, unfortunately, that if I take on too many projects at one time, there is a higher probability of those projects sucking.
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You can watch an episode of Friends or an episode of Law & Order and just drop in, but you're not going to in the middle of Season 4, Episode 5 of Lost. It's like picking up a Harry Potter book and flipping to a chapter. You have to read it from beginning to end.
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I think that at the end of the day I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the New York Times crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.
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I'm not glass-half-full, glass-half-empty I'm like, There's a glass?
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When someone says something in an interview, the beauty of Twitter is that it's a platform for instantaneous response.
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I think 'The Lord of the Rings' trilogy has a very satisfying ending, and there's not really that deep of a mythological construct.
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Sometimes we get frustrated ourselves and decide it's time to download a big chunk of mythology. And then the audience says, 'I find this confusing and alienating and too weird.' So then we pull back, and they say, 'You're not giving us enough'.
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I've always been fascinated by Disneyland and Disney World, and my favorite part of the park was always Tomorrowland.
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I think that we, as writers, get excited by risk. When we are feeling comfortable and familiar, I wouldn't say that we get bored, but the energy in the room gets flat. When we're most excited and when the show is the most fun, it's when we're duking things out.
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When someone says something that really hurts me, I have to retweet it to let it go.
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