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In really, really good science fiction the line between the science and the fiction is blurry.

Damon Lindelof

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Damon Lindelof
Age: 51
Born: 1973
Born: April 24
Executive Producer
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Damon Laurence Lindelof
Blurry
Line
Fiction
Lines
Science
Really
Good

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When someone says something that really hurts me, I have to retweet it to let it go.
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My father - until the day that my dad died - didn't know how many points you scored in a touchdown. He could say there were nine innings in baseball, but no intricacies of the sport.
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I feel like great TED Talks are ones that are a little bit subject to interpretation, that do provoke further conversation - and potentially controversy.
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I'll never be immune to criticism, and that's okay, and I'm very comfortable with that.
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My gravestone will say,'Here Lies Damon Lindelof - Or Does He?
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One person's magical thinking is another person's cynicism.
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I'm trying to focus as much on the here and now as possible. To live my life in a way that the humans that I know here on the planet Earth feel like they've been treated with respect by me, whether they're people that I'm very close to or the audience who's watching my work.
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The interpretive element of Lost, the fact that you immediately need as soon as the episode is over to seek out a community of people to express your own thoughts about it, understand what they thought about it and form an opinion, that's the bread and butter of the show.
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I'm not sitting around thinking of ideas for TV shows.
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There is no suspense in inevitability.
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I've always been fascinated by Disneyland and Disney World, and my favorite part of the park was always Tomorrowland.
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Sometimes we get frustrated ourselves and decide it's time to download a big chunk of mythology. And then the audience says, 'I find this confusing and alienating and too weird.' So then we pull back, and they say, 'You're not giving us enough'.
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When someone says something in an interview, the beauty of Twitter is that it's a platform for instantaneous response.
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I felt like if I said something positive on Twitter, it got no play. But if I said something negative on Twitter, it was a billion retweets and so that was giving me a Pavlovian response to be mean, and I don't want to be mean. We all have mean thoughts. They should not be broadcast on Twitter. You don't need to see mean things.
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I think 'The Lord of the Rings' trilogy has a very satisfying ending, and there's not really that deep of a mythological construct.
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The best jokes on The Leftovers are the ones that make you feel a little sick to your stomach.
Damon Lindelof
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Good twists are enormously hard to come by, and I think the best ones are earned ones. The idea that a story can take a left turn on you, it's easy to do, but it has to be done very, very carefully, or else you risk losing the audience's trust.
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I think that at the end of the day I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the New York Times crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.
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I've always felt that really good prequels should be original movies.
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