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I've always felt that really good prequels should be original movies.

Damon Lindelof

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Damon Lindelof
Age: 51
Born: 1973
Born: April 24
Executive Producer
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Damon Laurence Lindelof
Originals
Original
Movies
Felt
Really
Good
Always

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I have found, unfortunately, that if I take on too many projects at one time, there is a higher probability of those projects sucking.
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My gravestone will say,'Here Lies Damon Lindelof - Or Does He?
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I was born in 1973, so I did not see 'Alien' when it was released theatrically. I saw 'Alien' when it was on Home Box Office. I think I was probably 10.
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I've always been really interested in the future, and I feel like all of the movies that I've been exposed to, over the course of the last 20 to 30 years, have shown me a future that I don't really want to be living in.
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I think that we, as writers, get excited by risk. When we are feeling comfortable and familiar, I wouldn't say that we get bored, but the energy in the room gets flat. When we're most excited and when the show is the most fun, it's when we're duking things out.
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When someone says something in an interview, the beauty of Twitter is that it's a platform for instantaneous response.
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My father - until the day that my dad died - didn't know how many points you scored in a touchdown. He could say there were nine innings in baseball, but no intricacies of the sport.
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I've always been fascinated by Disneyland and Disney World, and my favorite part of the park was always Tomorrowland.
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I'll never be immune to criticism, and that's okay, and I'm very comfortable with that.
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The interpretive element of Lost, the fact that you immediately need as soon as the episode is over to seek out a community of people to express your own thoughts about it, understand what they thought about it and form an opinion, that's the bread and butter of the show.
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I'm not glass-half-full, glass-half-empty I'm like, There's a glass?
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The fundamental law of nature is to not know too much about yourself.
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Sometimes diehard fans expect so much that they're never happy no matter what they get.
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Hindsight is 20/20, but the moral of the writing for me is that when you're feeling very scared and nervous about something and you're fairly convinced that it could be a massive disaster, that's exactly the idea that you should do.
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I think 'The Lord of the Rings' trilogy has a very satisfying ending, and there's not really that deep of a mythological construct.
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Sometimes we get frustrated ourselves and decide it's time to download a big chunk of mythology. And then the audience says, 'I find this confusing and alienating and too weird.' So then we pull back, and they say, 'You're not giving us enough'.
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In really, really good science fiction the line between the science and the fiction is blurry.
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When someone says something that really hurts me, I have to retweet it to let it go.
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I look at myself more as a storyteller than a screenwriter, as pretentious as that may sound, but that's what really attracts me to TED Talks. For me, the really effective ones are being presented by expert storytellers.
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