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Hindsight is 20/20, but the moral of the writing for me is that when you're feeling very scared and nervous about something and you're fairly convinced that it could be a massive disaster, that's exactly the idea that you should do.

Damon Lindelof

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Damon Lindelof
Age: 51
Born: 1973
Born: April 24
Executive Producer
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Damon Laurence Lindelof
Exactly
Feeling
Hindsight
Moral
Fairly
Idea
Massive
Feelings
Disaster
Ideas
Nervous
Writing
Convinced
Something
Scared

More quotes by Damon Lindelof

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From my own internal fanboy perspective, there's nothing that I hate more than seeing a three minute trailer for a movie where I feel like it's shown me the entire movie.
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One person's magical thinking is another person's cynicism.
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Sometimes diehard fans expect so much that they're never happy no matter what they get.
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I think 'The Lord of the Rings' trilogy has a very satisfying ending, and there's not really that deep of a mythological construct.
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I'm not glass-half-full, glass-half-empty I'm like, There's a glass?
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The fundamental law of nature is to not know too much about yourself.
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I've always been into having stories told to me. I was a voracious reader, my father was also a teller of tales and the kind of Baron Munchausen proxy of a tall tale was much more interesting than a true tale.
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I can't live my life under the sort of I cannot fail philosophy, because then every time I do fail, which feels more inevitable than me being perfect all the time, it's going to be soul crushing. And more importantly, I'll never take any risks.
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It's just immensely frustrating that things like Breaking Bad get made that are kind of perfect! There's not even a bad episode of Breaking Bad, let alone a bad season. I want to be able to say, Hey everybody, it's impossible to make a show where every episode is great! No it's not.
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I've always felt that really good prequels should be original movies.
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I feel like great TED Talks are ones that are a little bit subject to interpretation, that do provoke further conversation - and potentially controversy.
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I've always been fascinated by Disneyland and Disney World, and my favorite part of the park was always Tomorrowland.
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When someone says something that really hurts me, I have to retweet it to let it go.
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I have found, unfortunately, that if I take on too many projects at one time, there is a higher probability of those projects sucking.
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In really, really good science fiction the line between the science and the fiction is blurry.
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When you're a writer and you're a producer, traditionally the junkets are really focused on the beautiful people and nobody wants to talk to you.
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I felt like if I said something positive on Twitter, it got no play. But if I said something negative on Twitter, it was a billion retweets and so that was giving me a Pavlovian response to be mean, and I don't want to be mean. We all have mean thoughts. They should not be broadcast on Twitter. You don't need to see mean things.
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The interpretive element of Lost, the fact that you immediately need as soon as the episode is over to seek out a community of people to express your own thoughts about it, understand what they thought about it and form an opinion, that's the bread and butter of the show.
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I was born in 1973, so I did not see 'Alien' when it was released theatrically. I saw 'Alien' when it was on Home Box Office. I think I was probably 10.
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I'm not sitting around thinking of ideas for TV shows.
Damon Lindelof