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I always ignore money.

Damien Hirst

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Damien Hirst
Age: 59
Born: 1965
Born: June 7
Artist
Conceptual Artist
Film Director
Illustrator
Installation Artist
Painter
Printmaker
Restaurateur
Sculptor
Visual Artist
Bristol
Gloucestershire
Damien Steven Hirst
Always
Ignore
Money

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It's ridiculous what I do. I can't believe in it - but I have to.
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I don't think I'd want my pet in formaldehyde, but I guess in America they would.
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But whenever I look at the question of how to live, the answer's always staring me in the face. I'm already doing it.
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As an artist you're looking for universal triggers. You want it both ways. You want it to have an immediate impact, and you want it to have deep meanings as well. I'm striving for both. But I hate it when people write things that sound like they've swallowed a f... dictionary.
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Picasso, Michelangelo, possibly, might be verging on genius, but I don't think a painter like Rembrandt is a genius.
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But for me, from my point of view, I don't mind if it falls over... if you break the glass you replace the glass, if the sheep falls out you can always get a new sheep.
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I realised that you couldn't use the tools of yesterday to communicate today's world. Basically, that was the big light that went on in my head.
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I don't really have a career plan.
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I've never learned to drive because I get lots of ideas when I'm a passenger in a car. I love to get in a car with a driver and just think and work things out.
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Buy art, build a museum, put your name on it, let people in for free. That's as close as you can get to immortality.
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Since I was a child, death is definitely something that I think about every day. But I think that everybody does. You try and avoid it, but it's such a big thing that you can't.
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I like the confusion you get between science and religion … that’s where belief lies and art as well.
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Because it's visual art, a lot of it comes from childhood experience but then a lot comes from the visual language - in advertising and stuff like that - which is around us.
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The idea is more important than the object.
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You have to step over the boundaries sometimes just to find out where theyare.
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Painting is so poetic, while sculpture is more logical and scientific and makes you worry about gravity.
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When I used to do abstract paintings at school, like everyone else, the tutor said these would make great curtains. I would always neglect the formal stuff that was going on by using colour, because colour kind of came naturally to me.
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I can't understand why most people believe in medicine and don't believe in art, without questioning either.
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But I think it's more that when you're young, you're invincible, you're immortal - or at least you think you are. The possibilities are limitless, you're inventing the future. Then you get older and suddenly you have a history. It's fixed. You can't change anything. I find that a bit disturbing, to be honest.
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I have always been aware that you have to get people listening before you can change their minds. Any artist's big fear is being ignored, so if you get debate, that's great.
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