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When I used to do abstract paintings at school, like everyone else, the tutor said these would make great curtains. I would always neglect the formal stuff that was going on by using colour, because colour kind of came naturally to me.
Damien Hirst
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Damien Hirst
Age: 59
Born: 1965
Born: June 7
Artist
Conceptual Artist
Film Director
Illustrator
Installation Artist
Painter
Printmaker
Restaurateur
Sculptor
Visual Artist
Bristol
Gloucestershire
Damien Steven Hirst
Kind
Came
Paintings
Make
Everyone
Formal
Always
Stuff
Neglect
Would
Else
Colour
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School
Naturally
Used
Abstract
Great
Using
Tutor
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Painting
Curtains
More quotes by Damien Hirst
I mean, people listen to music, and they like that, but I think in England, a lot of people don't like contemporary art.
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I love art. It is uplifting.
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I just do what everybody asks me to do, in terms of media and stuff.
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As an artist you're looking for universal triggers. You want it both ways. You want it to have an immediate impact, and you want it to have deep meanings as well. I'm striving for both. But I hate it when people write things that sound like they've swallowed a f... dictionary.
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I believe all painting and art should be uplifting for the viewer.
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I realised that you couldn't use the tools of yesterday to communicate today's world. Basically, that was the big light that went on in my head.
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Being best is a false goal, you have to measure success on your own terms.
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As an artist, you don't stop making art because people are not buying it.
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I did a load of medicine cabinets a long time ago and I named them after Sex Pistols songs. I suppose I must be getting old if I'm naming work after Philip Larkin poems.
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I can't wait to get into a position to make really bad art and get away with it. At the moment if I did certain things people would look at it, consider it and then say f off. But after a while you can get away with things.
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As a father, I would say I am more like a mother. I do a lot of hugging.
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When we are no longer children, we are already dead.
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The idea is more important than the object.
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It'd be nice to make lots of money but it's quite difficult, because every time I make lots of money I make a bigger piece that costs lots of money.
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But for me, from my point of view, I don't mind if it falls over... if you break the glass you replace the glass, if the sheep falls out you can always get a new sheep.
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Picasso, Michelangelo, possibly, might be verging on genius, but I don't think a painter like Rembrandt is a genius.
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Even as a kid in drawing class, I had real ambition. I wanted to be the best in the class, but there was always some other feller who was better so I thought, It cant be about being the best, it has to be about the drawing itself, what you do with it. Thats kind of stuck with me.
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You've really got to get down on the floor with yourself and get low in order to make great art. I think you've just got to accept who you are and do the most unbelievable things.
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I did a butterfly show in Berlin, and we had a guy who's an expert on butterflies who bred them all and who looks after them all in the space.
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It's such a crass idea - you're either in love or out of love.
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