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I was brought up Catholic, and I felt the power of art from a very young age - seeing the brutality of all those images of flayed apostles and tortured saints was a pretty strong introduction.

Damien Hirst

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Damien Hirst
Age: 59
Born: 1965
Born: June 7
Artist
Conceptual Artist
Film Director
Illustrator
Installation Artist
Painter
Printmaker
Restaurateur
Sculptor
Visual Artist
Bristol
Gloucestershire
Damien Steven Hirst
Brutality
Pretty
Apostles
Seeing
Introduction
Age
Saints
Strong
Images
Felt
Saint
Art
Catholic
Flayed
Power
Tortured
Young
Brought

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I think suicide is the most perfect thing you can do in life.
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I just do what everybody asks me to do, in terms of media and stuff.
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Picasso, Michelangelo, possibly, might be verging on genius, but I don't think a painter like Rembrandt is a genius.
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You've really got to get down on the floor with yourself and get low in order to make great art. I think you've just got to accept who you are and do the most unbelievable things.
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If the choice is between buying another building or a Pollock, I'd go for the Pollock every time.
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When you've just done it, you're not sure. But when you've sat with it for a couple of hours and you don't want to do anything more to it, that's a great feeling. It can stand on its own two feet.
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But whenever I look at the question of how to live, the answer's always staring me in the face. I'm already doing it.
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Never let money get in the way of an idea
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I have titles floating around in my head I have sculptures floating around in my head. It's like a collage.
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Art goes on in your head. If you said something interesting, that might be a title for a work of art and I'd write it down.
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The idea is more important than the object.
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Painting is so poetic, while sculpture is more logical and scientific and makes you worry about gravity.
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I wanted a shark that's big enough to eat you, and in a large enough amount of liquid so that you could imagine you were in there with it.
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The best spot painting you can have by me is one painted by Rachel.
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Buy art, build a museum, put your name on it, let people in for free. That's as close as you can get to immortality.
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A painting probably is the most shocking increase in value, from what it costs to make to what you sell it for.
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It's ridiculous what I do. I can't believe in it - but I have to.
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But I think it's more that when you're young, you're invincible, you're immortal - or at least you think you are. The possibilities are limitless, you're inventing the future. Then you get older and suddenly you have a history. It's fixed. You can't change anything. I find that a bit disturbing, to be honest.
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You have to step over the boundaries sometimes just to find out where theyare.
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As an artist you're looking for universal triggers. You want it both ways. You want it to have an immediate impact, and you want it to have deep meanings as well. I'm striving for both. But I hate it when people write things that sound like they've swallowed a f... dictionary.
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