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I realised that you couldn't use the tools of yesterday to communicate today's world. Basically, that was the big light that went on in my head.

Damien Hirst

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Damien Hirst
Age: 59
Born: 1965
Born: June 7
Artist
Conceptual Artist
Film Director
Illustrator
Installation Artist
Painter
Printmaker
Restaurateur
Sculptor
Visual Artist
Bristol
Gloucestershire
Damien Steven Hirst
World
Tools
Couldn
Went
Head
Bigs
Realised
Use
Basically
Light
Yesterday
Today
Communicate

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It's ridiculous what I do. I can't believe in it - but I have to.
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Artists are like everybody else.
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I love art. It is uplifting.
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I believe all painting and art should be uplifting for the viewer.
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The spot paintings, the spin paintings, they're all a mechanical way to avoid the actual guy in a room, myself, with a blank canvas.
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But for me, from my point of view, I don't mind if it falls over... if you break the glass you replace the glass, if the sheep falls out you can always get a new sheep.
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You've got to be oblivious to other people, the push and pull of other people's opinions, the way other people measure success. It's then that you realize you are 100 percent who you are and you have to use that who-you-are 100 percent in order to create great things.
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Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
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I think money is important for everyone, because the lack of it is so painful.
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I always feel like the art's there and I just see it, so it's not really a lot of work.
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As an artist you're looking for universal triggers. You want it both ways. You want it to have an immediate impact, and you want it to have deep meanings as well. I'm striving for both. But I hate it when people write things that sound like they've swallowed a f... dictionary.
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You've got to be able to copy things faithfully before you can deviate.
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Immortality is really desirable, I guess. In terms of images, anyway.
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When you've just done it, you're not sure. But when you've sat with it for a couple of hours and you don't want to do anything more to it, that's a great feeling. It can stand on its own two feet.
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I just hope that I can be kind of like the Beatles. I really like that kind of model. I like the way that without losing integrity they could change through fashion and not look back at the '60s and vomit when they saw what they'd done.
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I did a load of medicine cabinets a long time ago and I named them after Sex Pistols songs. I suppose I must be getting old if I'm naming work after Philip Larkin poems.
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I liked The Beatles a lot when I was growing up.
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It'd be nice to make lots of money but it's quite difficult, because every time I make lots of money I make a bigger piece that costs lots of money.
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But whenever I look at the question of how to live, the answer's always staring me in the face. I'm already doing it.
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It's such a crass idea - you're either in love or out of love.
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