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I realised that you couldn't use the tools of yesterday to communicate today's world. Basically, that was the big light that went on in my head.

Damien Hirst

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Damien Hirst
Age: 59
Born: 1965
Born: June 7
Artist
Conceptual Artist
Film Director
Illustrator
Installation Artist
Painter
Printmaker
Restaurateur
Sculptor
Visual Artist
Bristol
Gloucestershire
Damien Steven Hirst
Went
Head
Bigs
Realised
Use
Basically
Light
Yesterday
Today
Communicate
World
Tools
Couldn

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Never let money get in the way of an idea
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I liked The Beatles a lot when I was growing up.
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The idea is more important than the object.
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It'd be nice to make lots of money but it's quite difficult, because every time I make lots of money I make a bigger piece that costs lots of money.
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Picasso, Michelangelo, possibly, might be verging on genius, but I don't think a painter like Rembrandt is a genius.
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I have titles floating around in my head I have sculptures floating around in my head. It's like a collage.
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But then architects don't build their own houses.
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I think money is important for everyone, because the lack of it is so painful.
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I mean, people listen to music, and they like that, but I think in England, a lot of people don't like contemporary art.
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I always ignore money.
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You've really got to get down on the floor with yourself and get low in order to make great art. I think you've just got to accept who you are and do the most unbelievable things.
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I like the confusion you get between science and religion … that’s where belief lies and art as well.
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I have always been aware that you have to get people listening before you can change their minds. Any artist's big fear is being ignored, so if you get debate, that's great.
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The spot paintings, the spin paintings, they're all a mechanical way to avoid the actual guy in a room, myself, with a blank canvas.
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Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
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You've got to be able to copy things faithfully before you can deviate.
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But whenever I look at the question of how to live, the answer's always staring me in the face. I'm already doing it.
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When I used to do abstract paintings at school, like everyone else, the tutor said these would make great curtains. I would always neglect the formal stuff that was going on by using colour, because colour kind of came naturally to me.
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But I think it's more that when you're young, you're invincible, you're immortal - or at least you think you are. The possibilities are limitless, you're inventing the future. Then you get older and suddenly you have a history. It's fixed. You can't change anything. I find that a bit disturbing, to be honest.
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I think suicide is the most perfect thing you can do in life.
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